Diana Shares Some Cool Tattoos on Her Birthday

I want to wish Diana a happy birthday today! I met Diana last month while walking in lower Manhattan. She had, at the time, "about 13" tattoos, and she was kind enough to share them with us.

Her newest piece at the time was this cool one on her forearm:

This was inked by Zoe Bean (@zoebeantattoo) from Eight of Swords Tattoo (@8ofswordstattoo) in Brooklyn. Diana explained:

"It's just supposed to be a graceful representation of Lilith ... kind of a feminist symbol ... [Zoe] is a wonderful artist to do this. I love her dotwork style but also, we were talking as I was getting the tattoo, she used to be a professor and she kind of made her way as a tattoo artist. She just had an amazing story ... male-dominated field, moving up in her career, it was great of her to do this and to make this feminist symbol on my arm ... It means a lot for me because ... we looked into the story behind Lilith and we have a couple of the flowers that represent her and then the snake, of course... it was really great to go on this journey with Zoe to like get it right."

Diana also has this cool pair of tattoos on her upper arm:

Diana elaborated about the moth:

"I volunteer at a butterfly conservatory at the Museum of Natural History ... I thought this would be a really nice touch I got this because for that reason but also because 8 of Swords was doing a charity benefit for an LGBTQ homeless center in Arkansas [Lucie's Place in Little Rock] ... they raised over 10 thousand dollars in that event and this was one of the designs. Stella [Vlad] (@stellamayvlad) ... made this and did a really great job."

Stella was one of the visiting artists who joined Eight of Swords for the fundraiser. She works at Speakeasy Tattoo (@nyspeakeasytattoo) in Peekskill, New York.

Diana also told me about the woman's head below the moth:

"I got this from Ashley (@ol_ash), she used to work at Magic Cobra Tattoo Society (@magiccobratattoo) [in Brooklyn] ... I'm a Gemini, so there's two different faces in the woman's eyes, so one is kinda happy and the other one is ... kind of sad looking, so it's like the different personalities."

The artist, Ashley Strout, now works at Electric Anvil Tattoo (@electricanviltattoo) in Brooklyn.

And last, but not least, Diana shared this amazing tattoo on her thigh:

Diana explains this wonderful tattoo of the goddess Athena:

"I got this in San Francisco ... on my last day [there] and it took hours to do ... I sat for one very long session... The artist I went to, he does really good portrait tattoos ... my mother loved mythology and she passed away when I was a teenager, so I was like oh this would be a really really cool tattoo." 

The artist is Brian Jones (@brianjonestattoos), who did this at One Shot Tattoo (@one_shot_tattoo), but he is now based out of Gold Stripe Tattoo (@goldstripetattoo) in San Diego.

Thanks to Diana for sharing all of these cool tattoos with us here on Tattoosday! It was great meeting you and happy birthday!

Photo by Diana

This entry is ©2018 Tattoosday.

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Athena's Owl on Jennifer Martelli (The Tattooed Poets Project)

Our next tattooed poet is Jennifer Martelli, who shared this photo with us:

She tells us:

"I got this tattoo down in Hyannis, Massachusetts, at a great shop called Spilt Milk. A wonderful tattoo artist named Pablo did my very first tattoo there while I was on vacation, so when I returned a few years later, that’s where I went. I chose this design for a few reasons: first, I love owls (and cats—that beauty is Maria); second, this is Athena’s owl, and I love the fact that Athena was birthed from her father’s head; I love that she was a war goddess, that she wore a girdle made of snakes, and that she remained a virgin—all things that frighten me! My owl is consistent with two of my other tattoos, which are drawn with one single line in black ink. The only color tattoo I have is my purple Alzheimer’s ribbon on my wrist, in memory of my mother (that’s a whole different story)."

The poem Jennifer chose to accompany this tattoo is called, “Inversals,” and it was published in [PANK] last fall:

Inversals

I.

A woman, made famous after fellating a powerful man, dreams of Francis Ford Coppola’s oranges tearing a hole through her brown sack, bouncing past the crow perched on the curb cawing: Pa! Pa! Pa! Pa! Dreams of an orange slice covering the teeth of an old man with one bad eye under the black grape vineyard.  Of the rind pared off with a sharp knife into a perfect coil. Of the sections pulled apart like small bloody lungs, each an aspirated sigh. The oranges portend death by deals and death by bullets and death by garrote and lightning bolts. Dreams she excretes a senator a president a judge a river a volcano in Sicily.  She thinks, if only a mandolin played in the background of my life, it would be far less nuanced.  She’d eat black olives and fresh cheese; rice; sip espresso in bone demitasse. There would be windows in badly painted rooms, thick with white leaded paint. People would fall from the windows and she’d call them suicides or hopeful for some believed they could fly.  If a mandolin played, the fall would be profound. She’d look up from her lunch she’d spread on the lawn by the black grape vineyard:  the thick mozzarella, the squid ink vermicelli, the plums.

II.

While at a poetry reading, she ponders how some women are born from their father’s heads and ask to remain virgins forever. Bunny Putnam, great-great-great-grandson of witch hunters and witch accusers, a man secure enough to be called Bunny, has a plaque on the wall at the Athenaeum, across from the bookshelves where the taxidermied owls sit, dusty. Women born from their fathers’ heads take on the worst aspects of their fathers: they brood like owls, awake all night and they hunt so silently any maps or photos taped to the wall fall off.  Or, fuses blow and a darkness drops so sudden you wonder, Did I die? or Am I truly not here? which is what the case is: truly, you are not here. Or truly, you did die because the sirens are wailing outside the Athenaeum. No one likes sitting in a pitch black room. No one likes crouching inside a hollow skull. Athena grew inside Zeus’s head and poked the bone plates with her spear until his pain caused lightning storms all over the North Shore. He swore never to swallow a woman again, even if he was caught philandering. She’d assumed Bunny was a woman, especially when trying to decide if she was here, or there, or with the owls. How strong he must have been to earn that moniker, Bunny: the gentlest, horniest beast of all that God made, the easiest prey.

~ ~ ~

Jennifer Martelli’s debut poetry collection, The Uncanny Valley, was published in 2016 by Big Table Publishing Company. She is also the author of the chapbook, Apostrophe and the chapbook, After Bird, forthcoming from Grey Book Press. Her work has appeared in Thrush, [Pank], Glass Poetry Journal, The Heavy Feather Review, and Tinderbox Poetry Journal. Jennifer Martelli has been nominated for Pushcart and Best of the Net Prizes and is the recipient of the Massachusetts Cultural Council Grant in Poetry. She is a book reviewer for Up the Staircase Quarterly, as well as a co-curator for The Mom Egg VOX Blog Folio.

Thanks to Jennifer for her contribution to the Tattooed Poets Project on Tattoosday!

This entry is ©2017 Tattoosday. The poem and tattoo are reprinted with the poet's permission.

If you are reading this on another website other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.