Showing posts with label Egypt. Show all posts
Showing posts with label Egypt. Show all posts

Tuesday, April 28, 2020

Ma'at's Feather (Naomi Foyle on the Tattooed Poets Project)

Our next tattooed poet is Naomi Foyle, who shared this feather tattoo:


Naomi recounted the history of this feather:
"I acquired my tattoo in Brighton UK, back in the early nineties. I was working in a bookshop and living in a rented room at the top of a tall house above an aquarium shop owned by a Welshman with flowing white hair who let me give him Tarot card readings every month in payment for the gas bill. The room was furnished, and I liked the feather design on the bed quilt so much I decided I wanted it as my first tattoo. As a writer, I was attracted to the feather, of course, as a symbol of the pen. And as a Tarot reader, using and studying the Aleister Crowley/Frieda Harris Tarot deck, my decision was also influenced by Egyptian mythology. The Ancient Egyptians believed that when we die we meet Ma’at, the Goddess of Harmony, Truth and Justice, in the Hall of Two Truths. There she lays our hearts on a scale opposite the ‘Feather of Truth’– an ostrich plume. If the heart is lighter than or equal to the feather, the soul may continue to paradise, the Field of Reeds; but if the heart is heavier, then the terrible Ammit, with her lion’s mane, crocodile jaws and hippopotamus body, leaps up from her seat at the foot of the scales and devours it. I thought it couldn’t hurt to give my heart a constant reminder of this test ahead, and so I decided to have the feather tattooed on my left breast.
Through the local music scene I’d met tattooist and DJ Sean Cypher, well-known for
his own occult leanings, with whom I shared a mutual love of Einstűrzende Neubauten and the Crowley/Harris deck. I carefully copied out the design from the quilt and took my drawing to his home-studio. ‘I don’t do badges,’ Sean remarked, and proceeded to draw a larger version on tracing paper. I was a little nervous about this executive decision, but I also knew he was an artist, and when he applied the tracing for my approval, it was obvious he was right: there was an elegant and harmonious relationship between the curve of the tattoo and my breast. As Sean told me, his hand was steady; he therefore didn’t need to anchor the needle deeply in my flesh, and over time the ink did not spread too far into my capillaries. Nearly thirty years later, it’s just a little blurry, not a hot grey blotchy mess.
Sean is still in Brighton, and he and I are still talking about adding white ink to the
crest, to bring out the resemblance to a Japanese wave. Right now though, I’m just happy to have it just the way it is: when I had cancer three years ago I feared I would lose the whole breast. In the end I only had a lumpectomy, but if I’d had to have a mastectomy as originally planned, regardless of whether my feather survived intact and unwarped, I would have had more tattoo work done as part of the psychological healing process. As it is, Ma’at’s feather seems to have done its job: surviving the cancer that killed my mother has, so far, cured a chronic depression that has dogged me since I was a child. I’ve also become deeply involved with social justice issues over the last ten years, including protesting on the streets of Cairo against the siege of Gaza. So it’s clear to me that the ink from Ma’at’s feather quill has travelled into my bloodstream and lightened my heart.
Naomi sent us this poem, as well:

After the Biopsy

An iron pea
in a skinned pillow,

mushrooming marble
in a sack of aspic,

trespasser acorn
    sprouting in flesh –

yet, strangely, it doesn’t feel
strange to be hosting

this small numb planet,
possible death star,

this bullet caught
in a clutch of blubber

suspended
a shade from my heart.

What my fingers have found
         is the nub
of my days here on Earth ―

a dark maternal pearl
    secreted

by my oyster breast.


from Adamantine (Red Hen/Pighog Press, 2019)

~ ~ ~

Naomi Foyle is a British-Canadian poet, SF novelist and essayist. Her many poetry
publications include The Night Pavilion (Waterloo Press), an Autumn 2008 PBS
Recommendation, and Adamantine (Red Hen/Pighog Press, US/UK, 2019). Also an SF
novelist, and the author of cyberchiller Seoul Survivors, and eco-SF quartet The Gaia
Chronicles, she lives in Brighton UK, and has read her work widely in the UK, North
America, Europe, South Korea and Iraq. Find her on Facebook and at www.naomifoyle.com.

Thanks to Naomi for sharing her poem, her tattoo, and its story with us here on the Tattooed Poets Project on Tattoosday!



This entry is ©2020 Tattoosday. The poem and tattoo are reprinted with the poet's permission.


If you are reading this on another website other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.net and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Monday, July 7, 2014

Kalossal's Colossal Tattoo by Al Fliction (at the NYC Urban Tattoo Convention)

Last weekend at the 5th Annual NYC Urban Tattoo Convention, I met Kalossal, who shared this magnificent Egyptian back piece:


Kalossal explained that this is all about royalty, saying "every king should have a queen that's got his back."

I love the expressiveness in the face:


This piece was created by Al Fliction, who is a central figure to the UTC and is an Ink Master alumnus.

This entry is ©2014 Tattoosday.

If you are seeing this on another website other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Sunday, April 6, 2014

Andy Young's Egyptian Ink - The Tattooed Poets Project Goes Global

Our next submission comes to us all the way from Egypt, on the flesh of Andy Young:


This unusual piece located on her left forearm was done at Nowhere Land in Zamalek, Cairo, Egypt, by a female Italian artist whose name is Orne Gil.

Although the tattoo is in Arabic, it is actually a translation of a quote by Pablo Neruda and, in English translation, reads: "You can crush the flowers, but you can't delay the spring." Andy also credits the design of the tattoo to Islamic art historian and revolutionary street artist Bahia Shehab, who works with her at the American University in Cairo.

She summarized this further by sending along an excerpt from the project this design came from, via the website "Walls of Freedom: Street Art of the Egyptian Revolution":
"Bahia Shehab collected a thousand different visual representations of the word 'no' printed, stitched, molded, engraved and cast over the past 1,400 years on vases, tombstones and walls, in locations as far-flung as Spain and the border of China. She called the installation A Thousand Times No.  After the Revolution Shehab began to see a connection between A Thousand Times No and her country’s situation. She took to the streets, spray-painting 'no' on walls throughout Cairo.
'I did not feel that I could live in a city where people were being killed and thrown like garbage on the street,' Shehab said, describing her first image, which read 'no to military rule' in a script taken from a tombstone. 'A series of ‘no’s came out of the book like ammunition.'

Some of the 'no's that followed: No to a new pharaoh. No to violence. No to killing men of religion. No to burning books. No to the stripping of veiled women.
This particular quote by Pablo Neruda was found in a field hospital during the early days of the revolution. She speaks about it toward the end of this short TED talk which details this project:
 A Thousand Times No."
Andy sent along the following poem, which is the title poem from her chapbook The People is Singular (titled "Mubasher" in the book):

The People is Singular

in the dark
a white-lit
screen: watercannons

spraying praying
people
on Qasr-El Nil Bridge

humans shielding
mummies
books Akhenaton

which way will
            the army
go chanting pours

through my husband’s       
            laptop
selmeya selmeya

peaceful
            peaceful
he says

the screen
shows
screens in Tahrir

gone black
the Square
itself black

except for
            the flashes
should we mute

the sound
of gunshots
eshop yuri eshop

yuri what
            the hell
does it mean

the people want
            the people
want the fall

of the fall
of the you
say they say

the people
want bread
the barrier between us

and our president
was broken
by teargas says a man

in the news
who cannot
mute cannot shut

the screen to teargas
a fog from
this distance up close

the canisters
expired dates
made in usa

etched in metal
            in Arabic
“the people” is

singular which
does not
translate

~ ~ ~

The chapbook from which this poem comes was released by Press Street Press in 2012, and is a collaboration with Alexandrian photographer Salwa Rashad. You can get more information on The People is Singular here.

We are posting this today, April 6, because Andy told me it's an important anniversary today:
"This was the date [in 2008] of a worker's strike in Mahalla, which was an early inspiration for the Egyptian revolution.  An activist movement named for the date was formed in support of the workers and was later actively involved in the Jan 25 uprising. The founders were arrested in November as part of the new anti-protest law and sentenced to three years in prison. So the date encompasses a lot: the fact that there was opposition to the abuses of power in Egypt long before 2011, particularly among workers' groups, as well as the fact that many activists are being imprisoned by the repressive powers of the State today." 
Andy Young's poems, essays, and translations have been featured internationally and in the Los Angeles Review of Books, Callaloo, Guernica, and the Norton anthology Language for a New Century. Since 2012, she has been dividing her time between New Orleans, where she works for the New Orleans Center for Creative Arts, and Egypt, where she works for the American University in Cairo. Her first full length collection is forthcoming this fall. 

We are thankful beyond words to have Andy's contribution, in both image and verse, here on the Tattooed Poets Project.


This entry is ©2014 Tattoosday. The poem and tattoo are reprinted with the poet's permission.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.