Showing posts with label seahorses. Show all posts
Showing posts with label seahorses. Show all posts

Thursday, April 9, 2015

The Tattooed Poets Project: Abby E. Murray's Hippocampus

I often find tattooed poets from other non-tattooed poets. When I asked Jessy Randall if she had tattoos, she said she only had the temporary kind, but she did send me to Abby E. Murray, who was happy to share some of her work.

"I have a full sleeve on my left arm that comes over my shoulder, and a 1/4 sleeve on the right," Abby told me, adding, "Plus a small, blurry Star Wars tattoo in the center of shoulder blades that I got when I was eighteen."

Take a look:


Abby explains:
"The hippocampus (Poseidon's horse) featured is by Tracy Zumwalt from Anchor Tattoo in Seattle (2006). He's awesome - very particular and honest, true to his art. He also did the peacock feathers (Hera's signature bird) you can only sort of see under my sweater sleeve (2007). The owls near my elbow and purple dress of Athena below are by Joe Vegas at 13 Roses in Atlanta (2009). Joe, too, is a great guy. I used to work as a vet tech down the street from 13 Roses and I once helped his dog get through an eye infection. Joe has a coyote head on his wall that I once sent a pipe as a gift. Said pipe is still mounted to said coyote's mouth. 
My first tattoo was actually a Star Wars symbol (Rebel Alliance, to be specific) on my back. I was young and well-convinced I was tough. My sleeves are mostly based on Greek mythology, which I find, simply put, pretty. Greek mythology is brimming with powerful gods and animals. I wouldn't necessarily say that my tattoos mean anything other than I like cool drawings though, which usually disappoints people who want to know some deeper reason for my getting them."
Incidentally, Tracy Zumwalt is also responsible for this and this tattoo on poet Rebecca Loudon.

Abby sent us this poem:

About Tattoos

When we eat chicken patties in the dining room
we keep our forearms on the table like good Germans,
hands where we can see them. I move my fingertips
on your bare arm from wrist to elbow and say,
look at all this space. You move away from me
as if I proposed cold coffee or yard work,
as if to remind me of that time I met the general’s wife
and I shook her hand with my Pegasus arm,
my Athena elbow, Poseidon’s chariot on my shoulder.
Long white gloves do little for me in the receiving line,
my lotus flowers and storm clouds and blue
and purple stars, the barn owls and cherry blossoms,
the rebel insignia of youth essentially flipping
a ballroom full of army wives the bird.
I’m still angry about the time we went to Hawaii
the week before Iraq, and a coupon for a tattoo parlor
wrapped around bread crusts rolled across your beach towel.
I’ve seen you change your mind as often
as I’ve watched turtles extend cherimoya legs
from the dark windows of their bellies,
which is to say I’ve seen turtles do this once,
at a carnival, and it made me glad I was smooth.
We took the bus across Honolulu and let a retired monk
shave your arm, drill an enormous sparrow into it,
let him slap your back and say good luck over there
like the difference between blood drawn on vacation
and blood drawn in the desert is little more

than a matter of timing, of words between men.

~ ~ ~

Abby E. Murray is the director of the Binghamton Poetry Project and poetry editor for Harpur Palate. She's a big fan of tattoos done by Tracy Zumwalt in Seattle and Joe Vegas in Atlanta.

Thanks to Abby for sharing her awesome tattoo with us here on Tattoosday's Tattooed Poets Project!

This entry is ©2015 Tattoosday. The poem and tattoo are reprinted with the poet's permission.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Thursday, September 6, 2012

Caitlin Shares an Undersea Cover Up

Back in July, I attended the 2nd Annual New York City Poetry Festival on Governor's Island. Not only did I meet some great tattooed poets, I met a lot of other folks too. The festival had a few of Brooklyn's famous food trucks lined up, serving people hungry for grub and verse.

One of these vehicles was the Kimchi Taco Truck, and Caitlin, one of the truck's employees, shared this cool cover-up on her back:


Caitlin got this tattoo at East Side Ink from Patrick Conlon, who she picked because he was from San Francisco, which is where she is from as well.

She explained that the piece is a cover-up. "I had a really janky tattoo of a star back there," she said, "that's where the starfish is." She had Patrick do the whole design and turn it into a seascape.

Patrick also works at Graceland Tattoo in Brooklyn, His work has been featured previously on Tattoosday here and here.

Thanks to Caitlin for sharing her work with us here on Tattoosday!

This entry is ©2012 Tattoosday.

If you are reading this on another website other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Thursday, May 26, 2011

Our 1000th Post! David's Mermaid and Seahorse Blow Us Away......

Pardon the royal "we," but this is our 1000th post, and we feel a little celebratory.

To honor this milestone, we are sharing this amazing half sleeve belonging to David:


This astonishing work is the creation of artist Erick Lynch at Redemption Tattoo in Cambridge, Massachusetts.

David said that he had wanted a mermaid, as his wife loves mermaids, and that Lynch's work reflects a traditional Japanese style, thus the female figure appearing as a pearl diver, which is more in line with Japanese artistic tradition.


The whole of the half sleeve represents about 12 hours of work, in David's estimation, which includes the inside of the biceps, and this phenomenally vivid seahorse:


David points to Erick Lynch's use of white highlights in the seahorse, which really makes it "pop".

All in all, this is a remarkable piece of work that we are honored to have as our 1000th post here at Tattoosday. Thanks to David for sharing it and to Erick Lynch for his mastery of the art form!


This entry is ©2011 Tattoosday.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.