Showing posts with label Love. Show all posts
Showing posts with label Love. Show all posts

Thursday, July 11, 2019

Destiny's Death Cupid

Back at the end of May, I was strolling through Battery Park on my lunch break, when I spotted Destiny, who shared this cool tattoo with us:


Destiny got this tattoo on a trip to Panama. She wandered into Rock Spot Tattoo & Gallery (@therockspot) in Panama City and was looking at some designs. She told me that she gravitated to this design, which she referred to as a sort of "Death Cupid."

The piece, Destiny told me, represented to her a "juxtaposition of love and death" and is on her "dark arm," the arm where she has some more of the darker images tattooed on her. She also noted that this piece, located on her left arm with the arrow aimed curving around the back of her biceps, has Death Cupid targeting her heart, biologically speaking.

Based on what she told me, I believe this to be the work of Damiani (@damiani_tattoo) at the Rock Spot.

Thanks to Destiny for sharing this cool tattoo with us here on Tattoosday!

This entry is ©2019 Tattoosday.

If you are seeing this on another website other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Thursday, September 20, 2018

Letters on the M Train (Tattoosday Plays the Alphabet Game)

Continuing our alphabetical adventure through the subways, I set my sights on the M train (Wonder what's going on? I recap A through L here).

I took the L one stop to 6th Avenue, where I switched for the M.

12:27 Waiting for the M.

12:35, on a northbound M, when I met Casey.

Casey had some tattoos marked on his hands which I found interesting:


Looking at the visible tattoos in this image, you'll see four letters. From left to right, there's a "C" on his index finger, a "T" on the middle finger, another "C" on his ring ringer, and a "K" below the knuckle of his pinky. Casey explained that the letters were initials of his siblings, and they are all based on fonts from French childrens' books. So, the first C and T are based on the font in Antoine de Saint-Exupéry's The Little Prince. The second C and the K are based on fonts from Edmond à la plage.

These tattoos were also on his hand:


He pointed out that he tattooed the word "love" himself and the "R.O.T." stands for "Right On Time," a nickname he got from kids he was counseling that refers to his punctuality.

Thanks to Casey for sharing these interesting hand tattoos with us here on Tattoosday!

Come back tomorrow to see what happened on the next train!

This entry is ©2018 Tattoosday.

If you are seeing this on another website other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Monday, April 23, 2018

J.P. Grasser on the Tattooed Poets Project

Today's tattooed poet is J.P. Grasser. 


J.P. elaborates on the tattoo, which reads "Our almost-instinct almost true:/What will survive of us is love":
Recently, I read a beautiful little scrap from Rebecca Solnit: 'The self is also a creation, the principal work of your life, the crafting of which makes everyone an artist. This unfinished work of becoming ends only when you do, if then, and the consequences live on' (italics, mine; from The Faraway Nearby). This is wildly out of context, but it holds up just the same, to my ear. The most important phrase in there: 'if then.'
There's the old thinking on tattoos—the permanence, the body-as-canvas, the self-expression. 
There's the old thinking on tattoos—the symbology, the beautiful reversion to atavistic modes of communication: pictographs, etc., where image, meaning, & sound are inexorably bound, are undivorceable from one another. 
There's the old thinking on tattoos—something visible, something totemic, something to reflect the inner-self. (All reflection: distortion.)
The old thinking is good enough. But put in context, wildly so, vis-à-vis Solnit's case, it doesn't hold up as well to my ear. Or, at least, it's not the whole picture. Every/one: an artist—agreed. Every/body's magnum opus: the self—agreed. So the act of tattooing, to my mind, is the act of self-forging (self-forgoing?). They don't conflate, they don't co-exist, they collapse, together. Both. The skin is both canvas and paint, or so the metaphor goes. 
Go listen to Kelly McFarling's "Both." It will help you understand me. 
What I'm trying to get at, however obliquely, is this: neither a tattoo nor a poem is expression. They're experience. They're temporal & atemporal, all at once—they happen in time, but don't live in time. Sounds a bit like Memory, eh? Like Love, almost?
Which is all to say: the tattoo I have now is not the one I got Spring of 2015. It's neither the same to me, nor the same in appearance. When I got it, I remember Jesse saying, with that flair of wily gratitude, Come back any time, he said, touch ups for free. Any time, touch, free. 
But I want the ink-object, the poem-object, like the self, to be of-&-for entropy, to be its own recreation, daily. Let the edges fray; let it bleed. 
The homespun-piece referenced in the poem, that's long gone, just a few little scars now, layered under the one pictured. 
The lines themselves come from Larkin's 'An Arundel Tomb.' The most important phrase in there isn't 'love.' It isn't 'what will survive of us.' It isn't 'true.' There is no finitude to the self—to its gulfs, slash-piles, glaciers, xeric crags, tectonic fissures. We are human-animals. We are reason-beasts. We are hybridity incarnate & as such, if/then, the only phrase that can really matter is: 'almost-instinct almost.' & That—that is the experience of Negative Capability. Isn't Love always a consequence, always? 
J.P. mentions Jesse above, referring to his artist Jesse Kuzniarski (@jessek_tattoos) at Brightside Tattoo Shop (@brightsidetattooshop) in Baltimore. 

He also shared the following poem:


THIRD DATE 
  
for Maggie
  
Remember how we lay, naked, the usual silt
of hardwood floors clinging to our elbows,
our hips? You dipped the needle, dragged
St. Augustine’s symbol for non-linear time

(your idea) into my arm. Didn’t I try to be stoic

for you?—I feel no pain; I feel nothing. I admit,
I was sure once that love meant being jealous
of oneself. I admit it. I wanted to clutch
that instinct for recklessness, to own it & forever,
& I wanted you to hold me the way skin holds
an iron splinter. Remember the perfect sphere
of my blood, balanced on the needle’s tip?

How you licked it clean, returned it to pure
gleaming, without so much as a second thought?
I keep coming back, you said, back to this shape.

~ ~ ~


A current Wallace Stegner Fellow, J.P. Grasser is a PhD candidate in Literature & Creative Writing at the University of Utah, where he serves as Editor-in-Chief for Quarterly West.

Thanks to J.P. for sharing his tattoo and poem with us here on the Tattooed Poets Project on Tattoosday!

This entry is ©2018 Tattoosday. The poem and tattoo are reprinted with the poet's permission.

If you are reading this on another website other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.net and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Sunday, October 29, 2017

Blair Shares Some Amazing Art (at the Coney Island Mermaid Parade)

On this rainy Sunday, we're heading back to the summer and looking for a little sunshine. It seems appropriate to share some work from the Coney Island Mermaid Parade (@mermaidparade), from a participant named Blair, who had some phenomenal tattoos, including this on her thigh:


Blair told me this is a Bert Grimm design called "Sundance" that was tattooed by Becca Genné-Bacon (@beccagennebacon) from Kings Avenue Tattoo (@kingsavetattoo) on the Bowery.

Here's the Bert Grimm artwork that is an iconic piece of tattoo history:



She also shared this piece called "Prisoner of Love," which was done by Benjamin Haft (@benjaminhaft) from Allied Tattoo (@allied_tattoo) in Brooklyn:



I also snapped a photo of this tattoo, of a stunning gypsy with her hair in rollers:


All amazing tattoos!

Thanks to Blair for sharing her awesome work with us here on Tattoosday!


This entry is ©2017 Tattoosday.

If you are seeing this on another website other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Friday, April 21, 2017

BJ Love and Prince on the Tattooed Poets Project

On the first anniversary of Prince's death, we chose to share the following tattoo from our next tattooed poet, BJ Love:


BJ tells us:
"This is the first tattoo I got. It was just a few months after I started college. From the very first moment I considered getting a tattoo, I knew what I wanted. A few years prior to this, Prince had changed his name to an unpronounceable symbol. From what I understand, he felt that Warner Bros. owned Prince; his songs, his name, his likeness, and his creative process. He wanted to be free from all that, so he adopted what had been calling the love symbol as his moniker. I loved the mystery of it, his odd enforcement in only referring to him as that symbol, and most of all, I was really into the music he was making in the early-to-mid 90's. So, in the fall of 1997 I walked into Eternal Ink in Waterloo, Iowa, with my copy of Prince's Emancipation record and just handed it to the artist when he asked what I wanted. I don't recall his name, but he had been a teacher and left his job after a few years of apprenticing to start tattooing full time. I really admired the fact that he found a passion, and the sacrifices he made to pursue it. 
Though I now have many tattoos, I've spent the last 20 years answering questions about this Prince tattoo. In most cases, I try to give it just a hint of the same mystery Prince had at that time, but if pressed, I'll tell you that I loved Prince, and that he preferred, for a time anyway, to be known as a symbol that meant 'love.' Having grown up with the last name Love, I thought that was pretty fucking rad, so, tattoo.
In the year leading up to his death, Prince was the soundtrack to a book of poems I was writing about faith and belief. Here is a poem from that collection that borrows the ending from 'My Computer,' on Emancipation."
The God our Yahweh has Left us (Homily)

The story still rings like an echo, still rings.
I want to lay down before this sunset, to slice open
each of my fingertips and drag them through
the sand just to see if I can make this last. To see
if I can capture the strange math that combines
these two into gold. The alchemy necessary
to make this light something I can hold.
Something I can keep. Yahweh, my Yahweh
I want this. I want what I’m sure is a part of you.

This, none of it, is law-abiding, is my abiding
your law. But it is beautiful and now I can have jars
of it, jars made of it. Sand plus a binding agent
(my blood) and voila! We created a pottery
that is something to behold, something to be held
something to do the bulk of our own holding.

Yahweh may have made me, but I made the pottery
and in this valley, and during this time, and on a day
when the sky bled on me first, what is more useful?

Are these not your laws? No. No. No, this is
but commentary. But commentary makes it
nonetheless important. Yahweh, I don’t know what
it is to be surrounded by the world, to be in it
so deeply you feel for nothing else, but I do know
what it is to look on it, to look on it and love the world
so much you hope to keep it all, you hope you can
keep it all, you hope it’s possible to bottle the world
as it is right now so you can take it home and show
everyone that there is a better life. A better life.
A better life. A better life. A better life. A better life.
A better life. A better life. A better life. Now, goodbye.

~ ~ ~

BJ Love is a 6th grade English teacher. Poems of his can be found in The North American Review, Hobart, Pinwheel Magazine, Sink Review, and Bodega Magazine, among others. A graduate of the Iowa Writers' Workshop, he lives in Houston, TX, with his wife, the poet Erika Jo Brown, and their dog, Franklin.

Thanks to BJ for sharing his tattoo and poem with us on The Tattooed Poets Project!

This entry is ©2017 Tattoosday. The poem and tattoo are reprinted with the poet's permission.


If you are reading this on another website other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Saturday, April 8, 2017

Russell Jaffe on the Tattooed Poets Project

Our second tattooed poet today is Russell Jaffe, who shared two tattoos:


Russell tells us:
"The 'I LOVE YOU' I got in 2010 in Iowa city. I don't remember the place. The tattoo artist blasted the shit out of my arm and it HURT! But I got it because I was undergoing a massive seismic shift in my personality and understanding of the world: that I could not always control what happened to me, but I could control my responses. I have always been very emotional. By approaching people with love and holding myself to that, I could be a better self and a better person."
He also shared this piece on his hand:


Russell explains:
"The second one was done in 2016 at Skin Abrasions (what a name) in Oak Park, where I live now. My wife, Carleen Tibbetts, and I met through poetry; we both got into the same journal together, H_NGM_N. We talked, and she had no game at all, sent me questions about submitting to a journal she ran and asking me about edits. It wasn't until Cassandra Gillig suggested she send this kissy face that I realized she was into me--I had totally been into her!
Life is so strange and funny. Any teeny, tiny hole in the fabric of the day's minutia can be torn open to reveal keyholes to other worlds entirely. Entire wonderlands and alternate realities. We've been together 3 years and have a 2 and a half year old! This tattoo is like my love for Carleen: endlessly makes me happy, a reminder, never going away. On my hand, it's with me in whatever I do, front and center."

Russell shared the following poem, which he notes that he loves, "but Carleen hates." Adding, "No one will publish it!" Until now!

FLORET SPRUNG

Life is a floret sprung
Yeah

~ ~ ~

Russell Jaffe is the editor of TL;DR magazine, a magazine of what's now. He is the author of the poetry collections This Super Doom I Aver (Poets Democracy, '13), INTROVERT // EXTROVERT (Punk Hostage, '14), Civil Coping Mechanisms (Civil Coping Mechanisms, forthcoming '17) and the chapbook LA CROIX WATER (Damask Press, 16). ☄️

Thanks to Russell for sharing his tattoos and poem with us here on the Tattooed Poets Project on Tattoosday!

This entry is ©2017 Tattoosday. The poem and tattoo are reprinted with the poet's permission.

If you are reading this on another website other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.


Monday, June 6, 2016

Denenne Tells Us Love Kills

Last week I saw an incredible tattoo while walking on 5th Avenue in Bay Ridge, Brooklyn.

Needless to say, I was thrilled when Denenne agreed to let me take a photo to share here:


When I asked Denenne how this tattoo came about, she elaborated:
"I was thinking about my ex-boyfriend because I loved him so much that I felt like I wanted to kill him every single day of my life. And then, after he passed away, I just thought that Love killed me  ... Although I wanted to kill him with everything on my back, at the end of the day, love killed who I actually loved."
Deneene went to her artist, Jeanine at Liquid Expression Tattoos in south Brooklyn, and worked with her to transform the emotion into the final tattoo on her upper back, with LOVE spelled out in weapons. L is represented by a handgun, O by a hand grenade, V by a folded knife, and E by brass knuckles.

Thanks to Denenne for sharing her awesome tattoo with us here on Tattoosday!

This entry is ©2016 Tattoosday.

If you are seeing this on another website other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Sunday, April 17, 2016

The Tattooed Poets Project - Emily Stern

Our next tattooed poet is Emily Stern:


She credited this work to her "shiny genius" of an artist Crow B. Rising at Talis Fortuna in Santa Fe, New Mexico. And this piece, as well:

Photo Courtesy of Crow B. Rising at Talis Fortuna
Emily also sent us the following poem, appropriate for today:

April 17th, 2016, Would Have Been My Mom’s 74th Birthday


I was at Del Charro, with Jaime, waiting.

The second date.

Not mine.

I was his platonic darling,
and the sober driver,
the soft detective,
the unreliable interrogator,
waiting to meet him,
and his friends,
for the first time.

Juan, a teacher who, I’d learned, preferred to express his breathlessness in his first language, and who was very hungry for nachos, and social justice;
Luiz, who may have a broken heart, and agreed that Eldorado is a suburb;
Solange, who is stunning, and who knows exactly how many obstacles she has hurdled;
and, a dapper fellow, whose name I couldn’t hear the first time,
had finally arrived.
________________________________________________

Jaime mentioned the lilies in the kitchen
“She even has a tattoo.”
I removed the repurposed child’s ski sock, and presented my forearm.
“They’re my favorite flower.”
Juan said, “My sister just got this really big piece on her chest.”
Jaime and I smiled.
_________________________________________________

In my bathroom.
Before we left.
Afflicted.
Lost.
I searched.

Through every cigar box of jilted, spinster earrings
And flowery barrettes—
a secret stash
reserved for insomniac-in-the-mirror reflection—
I couldn’t find my eyeliner.

In the mirror, Jaime’s eyes threw me an anchor.
“You could write about that one, right?”
Jaime’s heart is made of warm, creamy goat’s milk, sticky tamarind, fine brown sugar, tenderness, and habanero pepper.
Last night, he actually purred in his sleep.

I counted each bird in the mirror.
“I could.”
________________________________________________

I lowered the pilled collar of my black sweater.
“What do the grapes mean?”
I wondered if Solange knew she was very beautiful.
“My grandmother grew up on a small produce farm, in Sicily.”

“And the birds?”

Great Grandma Dina
Great Grandma Manno
Great Grandma Sadie
Grandma Anne
Grandma Harriet
Aunt CiCi
Mom
Me, one day.
One day, my daughter.

“They’re the women who came before.”
My lineage.

The matriarch.

~ ~ ~

Emily Stern is the author of When Doves Cry, a memoir about her childhood and her mother’s death in 1993 from complications of HIV/AIDS. She has been writing, performing, and teaching for over twenty years. Credits include The Portland Review, The Santa Fe Literary Review, Entropy Magazine, Connotation Press, Literary Orphans, and Make/Shift Magazine. She performed in and co-created The Transfused, a full-length Rock Opera written up in Time, Bust, and Bitch magazines, has performed spoken word at Ladyfest Olympia and Los Angeles, Homo-A-Gogo, and The Sex Worker’s Art Show national tour with Michelle Tea and Penny Arcade. She’s taught all over the country, including Portland’s The Rock and Roll Camp for Girls and Tucson’s Casa Libre.

Thanks to Emily Stern for sharing her tattoos and poem with us here on Tattoosday's Tattooed Poets Project!

This entry is ©2016 Tattoosday. The poem and tattoos are reprinted with the poet's permission.

If you are reading this on another website other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.