Because She Said So

I spotted a woman on 86th Street in Brooklyn on Sunday with two visible tattoos. She had an intricate piece on the back of her shoulder, but she was wearing a lace shirt that would have required removal for me to get the photo. This picture above, however, was on her left bicep, and she was kind enough to let me snap a picture.

Some people can talk for hours about their ink, and some don't say anything. She gave me an approximate location of the shop where she had this done, 20th Avenue and 71st Street, which is very close to Kings County Tattoo Company, so I will make an educated guess and credit them for this piece.

When I asked the woman what was the significance of the phrase "Because I said so," she just looked at me with a sly expression and said it was a message "for my husband".

To see other work from Kings County Tattoo Company that has appeared on Tattoosday, click here.

Jessica Follows Up and Shares a Little More

Last Tuesday, I met Jessica outside of Madison Square Garden before a Pearl Jam concert. I posted a few of her 49 tattoos here.

Since then, we have exchanged e-mails, and I have updated the previous post, which now includes a link to her MySpace page (and photos of ALL her ink).

But for the purposes of Tattoosday, I am posting photos of three more pieces.

She told me "If I had had a tank top on ya coulda taken pics of my two favorite tattoos".


First, at the top of this page, is one of the seven crows she has inked. This is on the right side of her back and is called "Caw Caw Bird". The artist is Thomi Hawk from K&B Tattooing in Hightstown, NJ.

The second crow she sent me is on her left side, near her collar bone. She calls this "Hiya Kung Fu Karate Chop Crow" and she inked it herself, using a mirror. Quite impressive.

And finally, I featured a "sliver" of a sleeve on her right forearm. This is one of the finer pieces she has (that I personally observed). She passed it on for our appreciation here. They are her geisha and foo dogs.





Thanks to Jessica for sharing her ink here at Tattoosday. Remember, you can see all of her tattoos over at her MySpace page. We're hoping she'll let us know when she gets tattoo number fifty!

Introducing Fabiana's Ink

My wife, Melanie, in the course of her daily travels, has the chance to speak with lots of people. Occasionally, they will talk tattoos, and she often promotes Tattoosday by handing out fliers to The Inked.

One such acquaintance is Fabiana, who has a whole of slew of tattoos. She has viewed Tattoosday, and has sent me multiple photos of her work. The above detail is from a piece on her upper left arm.

Here's a section not visible in the long view, from the inner part of the top of the shoulder/bicep:


Fabiana gets her work done at Third Eye Tattoo in Brooklyn. This piece consists of a butterfly, a rose, a sunflower, and some other flowers.

Here's their story...

"The flowers I just got about 1 month ago are Lilies! I love lilies. They are so beautiful! They are my fav! Purple is my favorite color and orange is my girlfriend's...so I got purple and orange for her!

Underneath that is my butterfly!

That tat was actually from about 6 years ago when I was with a different girl....we decided one day to get matching tats! NOT a good idea, she broke my heart! So I decided after a couple of years to have it covered up! I love butterflies, so my tat guy made it into a big beautiful butterfly, and added a pink rose as well. Under that tat I have my giant sunflower.

The sunflower I got for my ex-girlfriend Jill! We were together for 5 and a half years. All throughout our relationship she would call me sunshine...In that sunflower I also have a ladybug, that is for my twin sister... she loves ladybugs so I added one in!"

Thanks to Fabiana for sharing her ink here on Tattoosday! Stay tuned for more of her tattoos in the future. There's more to share!

An Elaborate Sugar Skull Reminds Chris That Death is Part of the Fabric of Life

Last Friday, I did my civic duty and served jury duty for Kings County Supreme Court. We were assembled and shown a video. They collected our cards and the first group of 30 citizens were called. I was among them. A court officer walked us several blocks to a different building. We passed through the lobby and broke into small groups to enter the elevators up to the 19th floor. In the elevator, I noticed I was standing next to a guy with with sleeves rolled up to mid-forearm. His right arm had an amazing sugar skull tattooed on it.

As luck would have it, the tattooed individual sat next to me on a bench outside a courtroom while we waited. And waited. And waited. Fortunately, we had something to talk about: tattoos (with a little surfing thrown in).

Chris and I talked for over an hour. Then, we were dismissed. No longer needed. Three hours of jury duty rather than three days. Since my camera had to be checked by security at the main courthouse, Chris walked back with me and let me take a couple of shots of his sugar skull.

This tattoo was inked by Adam Hays at Red Rocket Tattoo. There have been many sugar skulls posted here, but this one is among the most intricately done. The detail is phenomenal.


Chris, who is heavily inked, values this tattoo because the sugar skull's symbolism reflects the fact that he doesn't like to mourn death. It is a part of the natural cycle of life, and this piece helps him deal with life's problems.

He followed up with an e-mail expanding on his philosophy:

"...In my childhood/teenage years, a lot of close friends and family passed away in a short period of time - and yes - I was devastated, but couldn't just tie myself up in the mourning process, because that's what people do - they live and they die. And when I was first introduced to the concept of the sugar skull and it's meaning, [I came to understand] it's really all about embracing the power of death into the fabric of life. The symbolism of the sugar skull to me is kind of a way of transforming the painful 'miseries' of death into a source of nurturing and internal strength. It's a way for me to cherish my fallen dead and a way for their memory to live on in me (or, on me, for that matter). In any case, I feel that it's kind of ingrained in our culture that we need to feel grief and despair when someone dies, but you don't always have to follow the trend. The sugar skull is a way to remember, honor, and feel closer to the dead. And that's what it reminds me of each time I see it."

For prior posts with sugar skulls, click here.

For prior posts with work from Red Rocket Tattoo, click here.

Thanks to Chris for sharing his Sugar Skull tattoo here on Tattoosday!

Tom's Pearl Jam Stickman Tattoo

So last night I caught Pearl Jam at Madison Square Garden and, of course, there were tattoos aplenty. But, as I mentioned yesterday, concert-goers generally seem a little more focused on the event at hand than the pursuit of blogfodder by a fellow concert-goer.

Luckily for me, Tom was sitting right behind me and I got him to show me his "Stickman" tattoo. This is one of the band's oldest logos, and is a common piece to get inked by the biggest devotees of the group.


Tom had this inked in 1994 at Da Vinci Tattoo Studio in Wantagh, New York. He had yet to see his first Pearl Jam concert when he had this tattooed on his left ankle. Last night was his 14th show (it was my fifth).

Thanks to Tom for sharing his Stickman with us!

Jessica Shares Some of Her Tattoos before Pearl Jam Plays the Garden

I had it all worked out. Last night was the first night of the Pearl Jam concert at Madison Square Garden. Even though I wasn't going, I would see plenty of ink right next to where I work. Pearl Jam fans are prolificly tattooed (see this site as proof). What could be easier?

One guy didn't want his tattoos photographed. And he was wearing a t-shirt for a tattoo shop on Oregon. In my disappointment, I forgot what it was called.

Another guy was in town from Italy to see the band. I think the language barrier was an issue.

But I am not generally discouraged. There was, however, a vibe. A general sense that something bigger and better was going on besides indulging the hobby of an almost-41-year old blogger in dire need of a haircut. And of course, they were right. Pearl Jam was returning to the Garden after five years. Really, Tattoosday had to take a back seat to that.

But thank goodness for Jessica. She was thoroughly inked and indulged me. Granted, she seemed a little bemused by my exercise and a little disinterested, but she did let me take some photos and gave me cursory explanations. Alas, no Pearl Jam tattoos, but she still had some cool ink.

This was her most meaningful tattoo:

It's on her left wrist and is the autograph of Jonathan Davis, lead singer of Korn. He signed it, and she inked it. Jessica has her own tattoo gun machine, and does some touch-ups and basic line work here and there. Embarassingly, when she said it was Jonathan Davis' autograph, I couldn't connect the name to the face right away and I asked who he was, knowing full well that doing so would make me look like a total dork. And I was right. Of course I knew who he was, I just didn't compute it at the time.

Here's Jessica's left arm:

She likes crows. She has seven in all. She didn't tell me why the cheetah was significant. If you look at her right arm, you can see a sliver of an amazing piece that I didn't photograph, but should have. It was amazing piece that encircled her forearm.


And here's her upper right arm. That's Pig-Pen from Peanuts, which was one of her nicknames growing up.
And on the bottom is Mokey, a "primary Fraggle" from Fraggle Rock. Mokey was also one of her nicknames from very early in life.

Thanks to Jessica for taking the time to chat with me when so few people seemed interested in sharing. I am celebrating my birthday a week early at the show tonight (Wednesday), so we'll see if any tattoos pop up here on Thursday (or Friday).

UPDATE JUNE 29, 2008:

Jessica followed up with me and wrote the following:

I may not have any Pearl Jam tattoos, unless you count that my nickname is Mookie (Mokey from Fraggle Rock) since I was a toddler, from my dad. My mom calls me Pigpen cause she's a obessive complusive neat freak who thinks an open TV Guide is a mess...

I've idolized Jonathan Davis from Korn since 1996. To finally meet him was amazing. I always thought I'd be starstruck and lose my composure, but didn't. I held a conversation with him. Wow. How did that happen? A group was forming around the tour bus. He came out...to sign autographs. I told him he was my idol for 12 years, and asked if he could sign my wrist. So he grabbed my wrist. On the outside I was fine, but in my head I turned into a 12-year old boy band fan thinking OMG OMG HE'S TOUCHING ME DON'T FAINT!!

The Mokie tattoo, above, was inked by Troy at K & B Tattooing in Hightstown, New Jersey.

Tattoos I Know: Rob's Traditional Japanese Dragons

"The only things I'm going to regret are the things I don't do" --Rob

Rob doesn't show off his ink like a lot of people do. Granted, sharing one's tattoos with the public is part of the appeal for many people. But other folks get tattooed for more personal, private reasons. Many people feel that having a tattoo is in itself, fulfilling. They don't seek recognition to validate their body art. Others do.

That's one of the fun things about Tattoosday- when someone shares the personal in this public venue, it is often a fulfillment that has come to fruition. Other times, it's just fun.

I recently learned that the husband of one of my wife's old school mates, someone with whom I've talked football and who I see from time to time, is inked.

So the e-mails flew and the dinner date was set. My wife and I met up with the couple earlier in the month and went out for Vietnamese food. But before we left their place, Rob let me see his ink:










Unfortunately, my camera didn't like the light in the apartment, and I ended up with a lot of blurred or washed out photos. The above two were the best of the bunch. That's part of the reason it took me so long to post.

My camera really didn't do justice to the color and craftsmanship of the work. But, as luck would have it, the artist, Horisei, of Chelsea Tattoo Company, had clearer and much better pictures on the shop site.


When these were inked, Horisei was part of the staff at Rising Dragon Tattoos. Rising Dragon work has appeared previously here and here. However, Rising Dragon moved to new digs just recently and Horisei stayed in the old location at the new shop, renamed Chelsea Tattoo Company.

What Rob has are traditional Japanese panels that cover the upper arms, shoulders, and the connecting canvas of the chest corners.


Rob's work was done over approximately forty (40!) cumulative hours between March and June of 2007. The only thing that remains to be done is the coloring of the eyes.

If you look at the right piece, you'll see a kanji character representing the word "wolf".

That part was tattooed 15 years ago, in celebration of Rob's 30th birthday when he was living in San Francisco. And yes, it's an accurate representation of the proper kanji for "wolf".

Horisei, a master artist from Yokohama, Japan, was able to incorporate the "wolf" into the design, as it manifests itself in a new context, on a pearl clutched in the grip of a dragon.

These two dragons don't "mean" anything, in the traditional sense. A common misconception that people have is that tattoos must mean something. Rather, in Rob's case, they represent an inner appreciation for not just the art of the tattoo, but for traditional Japanese body art.

Tattoos don't have to be visible to have purpose. These two dragons reside on Rob's chest and feed his inner strength.

Rob even lent me his copy of A History of Japanese Body Suit Tattooing for further reference on the subject matter:


It is an honor to have them posted here for the world to see. Thanks to Rob for sharing, and thanks to Horisei and Chelsea Tattoo for the use of their better pictures that allow us here at Tattoosday to fully appreciate the craftsmanship that went into these pieces.

Peter Caruso's Ink: Old-School Brooklyn Represented

These two inner-arm pin-ups belong to local free-lance tattoo artist Peter Caruso.

I ran into Peter a couple of Sundays ago, caught without my camera at the local 7-Eleven, so I left him with a flier so he could check out Tattoosday . He did, and e-mailed me shortly thereafter, offering to meet up, take pictures, and talk tattooing. This past Sunday, we reconnected in front of the 7-Eleven and I took a few shots of his awesome tattoos.

Here's Peter with his forearms extended:

Your standard article on the popularity of tattooing in 2008 always looks back to the old days, back when the only inked folks around (supposedly) were bikers, veterans or sailors, criminals and circus performers.

But we are living in an "enlightened" era, says the conventional wisdom, when there is a lot less stigma attached to the art. Tattooing was illegal in New York City from the early 1960's to the mid-1990's.

Peter remembers growing up in Bensonhurst and admiring the tattoos of the neighborhood heavies. There was a lot of admiration for the tattooed gangster-types that were the fixtures in the neighborhood delis, hanging out in front of the mom-and-pop stores, and being active in the community.

Peter admired the ink, and that old school style has influenced not only his own work, but the work he had done on himself.

Peter learned from, and was influenced by, those artists he considers to be the "Old School" of Brooklyn tattooists.

He worked with and apprenticed under Paul Raffelo of Paulie Tattoo and Vito of Vito Tattoo.

He estimates that he has approximately 13 tattoos, including 2 full sleeves.

A closer look at the pin-ups on his forearms shows a style of tattoo that is classic old-school. Peter said that this was the type of tattoo that was typical in the old neighborhood he grew up in.


The "Steady as She Goes" motto was a standard phrase in a lot of old naval flash art.

These pinups were inked by Paulie Tattoos.

On Peter's inner right forearm is a green Tibetan ritual mask:

The mask is used, according to tradition, to drink the blood from the head in an attempt to keep the spirit alive after the body dies. Vito of Vito tattoos was the artist.

Peter is also particularly proud of this Sanskrit piece on his forearm:

Peter explained that this represents the thunderbolt that destroys ignorance, a concept explained by the term vajra and a precept in Buddhism that leads to the destruction of ignorance through enlightenment.

Thanks to Peter Caruso for sharing his tattoos here on Tattoosday. Peter is currently working free-lance and can be contacted by clicking here.

xGoboBeanx's Fairy Tattoo

I met Jill outside of Penn Station last week and she had this interesting creature on her left calf. I guessed it was a fairy, and noted (to myself) that it looked like one of the creatures in Lady Cottington's Pressed Fairy Book.

I later learned that this was no coincidence, as the illustrator of said book is Brian Froud, upon whose work this tattoo was based.

Jill identified it as a cat fairy, which is supposed to grant protection while one sleeps. She had this inked at a tattoo shop in the Corona section of Queens about 6 years ago. Jill doesn't recall the name of the shop, nor the artist that inked this, one of her six tattoos.

Jill deserves a little cross promotion here, as she is a video blogger over at www.xgobobeanx.com. Some of her other tattoos, along with this one, make fleeting appearances in her video posts. Her YouTube channel is here.

Thanks to Jill for sharing her fairy here on Tattoosday!

Tattoos from the Blogosphere: Mat's Take on the Sugar Skull

Everyone remember Mat? His ink has appeared previously on Tattoosday here and here. Well, he has been a lean, mean tattoo-accumulating machine. Remember the infinity symbol on his wrist? It has a new neighbor:


Well Matt hat some might awesome work, and this piece just adds to the oeuvre of his canvas.

This is what is known as a Mexican sugar skull (a common recurring element at Tattoosday - in fact I just shot a new one on yesterday that will make its way here next week). Since Mat is currentl residing in Texas, let's let him explain this piece (with my scant editing, of course)...

It is a sugar skull, yes. Any work done on my forearms is significant to my son [Jack], and that's about it...[Jack's name is tattooed on the opposite wrist]

Since El Día de los Muertos [The Day of the Dead] is celebrated November 1 & 2, and Jack was born on November 1, I thought it would be fitting as I mulled over more and more the significance of the first day in the Day of the Dead celebration. The strange part is that the celebration on the first day is meant to honor the deceased infants and small children, whereas the second day is in honor of grown-ups/adults.

Also, we've noticed Jack at a super young age responsive to non-existent beings, as if he was communicating or interacting with something that wasn't there. It is said that during the Day of the Dead, it is easier for the departed to visit and communicate with the living.

After learning that, and remembering how focused he was as an infant on these things that I really wasn't able to make sense of, it all tied itself together.

Since it basically wraps my forearm, it's kind of hard to see how it is bookended by a rose on each side, ocher-shaded, and footnoted by a traditional red rose with okra folds.

This was also another piece by Travis Stanley at 713 Tattoo Parlour in Houston, and was tackled as we went along. I enjoy working like that- researching with the artist and maintaining the level of comfort to develop a meaningful piece that sometimes only makes itself apparent after a day or so of life on the body.

The bizarre color scheme and the bluish brain matter seen behind the top of the piece, behind the red cracks in the skull, are meant to convey the playfulness of a candy skull, but also to introduce a slight feeling of discomfort or uncertainty when a closer look is taken.

Thanks to Mat for sending this along, and giving us a behind-the-scenes perspective of the piece. We can always rely on Mat to get us to look beyond the tattoo and come to a better understanding of the thought process, as well as the creative instincts, that helped craft his body art.

Syndy's Windjammer in Honor of Nanny

It was the swallows on her back that I noticed. But they were covered partially by the straps of her top, so I was just going to give her a Tattoosday flier and go on my merry way.

But, Syndy, a first grade teacher visiting from North Carolina, blew me away by peeling up her shirt on the sidewalk in front of Penn Station to reveal this stunning black and gray Polish windjammer.

This tattoo was inked in honor of her late grandmother, with the banner inscription "Forever -n- Ever, Nanny".


Syndy says her Nanny was a remarkable woman who always encouraged her to "be free," and loved going sailing.

This piece was inked in two sittings by Craig Foster at Skinwerks Tattoo & Design in Atlanta.

Thanks to Syndy for sharing her beautiful tribute here at Tattoosday!

Kurt Vonnegut Remembered. So it goes.

At the Seventh Avenue Street Fair in Park Slope on Sunday, there was plenty of ink. Amazing ink too. But I only stopped one person, Samantha.

Samantha had this simple quote from the late Kurt Vonnegut on her back. This simple refrain (used 106 times in Slaughterhouse-Five, according to Wikipedia), came to be synonymous with the Vonnegut philosophy.

Samantha had this inked on her birthday at Hypnotic Designs in Sunset Park by Dru. Her boyfriend Igor also had a Vonnegut quote inked, but on his left leg:


or, from a different view:


This quote is from God Bless You Dr. Kevorkian...

My epitaph in any case? "Everything was beautiful. Nothing hurt." I will have gotten off so light, whatever the heck it is that was going on.

Thanks to Samantha and Igor for sharing their Vonnegutian ink here on Tattoosday!

Soulthief

Last week I ran into a guy near work who had, by his best estimates, approximately twenty tattoos, all of which, he told me, were inked in different places, as he traveled. He had a stack of worn business cards from all the tattoo shops he had patronized in his wallet.

Identifying himself only as Soul Thief, his DJ name, this musician seemed slightly reluctant to participate, and wasn't exactly forthcoming about his work. However, he did allow me to take a shot of the above piece, from his left bicep. Actually, it's three tattoos, but the focus was on the top piece with the skeletons.

The piece consists of two quotes from songs that meant a lot to him at the time of the tattooing. On top is the phrase "Dreams like this must die," which he cited as a lyric from Andy Wood, who I recognized as the late singer from the Seattle band Mother Love Bone. I later realized the song from which the lyric came is the beautiful "Chloe Dancer/Crown of Thorns".

The bottom lyric is "But they'll never tear us apart," which, when he cited Michael Hutchence, I knew to be the words from the INXS hit "Never Tear Us Apart".

The piece was inked by Tom Barrier at Raz-a-Tat Tattoo in Bennington, Vermont. Soul Thief indicated that Tom is the only tattoo artist that he ever went back to for a second piece. Tom had also done a back piece, but that he couldn't show me that on the street.

When I asked him for any further significance of the skeletons encircling one another in their arms, he was a little elusive, saying that tattoo meanings change, and they are constant reminders of where one has been. I took Soul Thief's level of elusiveness with a grain of salt. He didn't know me from Adam, and not everyone wants to share personal stories with people they just met. Plus, what he said made sense, tattoo meanings do change.

I thanked him and went on my way.

Later that evening, I received an e-mail from Soul Thief, with a clarification:

"I'm the guy with the skeletons tattoo on my arm. By the way, my name is Nate.

When you stopped me on the street today I was a bit wary (which I usually am when someone stops me on the street.) Also, I usually don't like being asked to explain my tattoos because I didn't get them as a conversation piece, but I checked out your site and I liked what you do- so I thought I might add a couple of things...

When I started getting tattoos I was 17 and I wasn't really thinking about it, I just wanted tattoos for some reason. I even got a fake ID to say I was 18 because I couldn't wait. They started out being souvenirs of a time and place, so at the time they pretty much didn't 'mean' anything. Since then I've gotten more and put a lot of thought into them, but I've kept the idea that tattoos are 4th dimensional in the back of my mind the whole time. These are the 4
dimensions:


1. The Idea. It's whatever possesses you to do such a thing in the first place. Being struck by a piece of art, having a change or new experience in your life, boredom, etc.

2. The Image. It's whatever you feel in a given time that you HAVE to have permanently scarred into your body.

3. The time and the place. Because tattoos last your entire life they will always be a reminder of where you were and what you felt like when you got them- If you don't remember either of those things, that says something about you too.

4. The Life. Your tattoos live right along side you. As your life goes on, you change and but your tattoos really don't. The only changeable thing is what you infer upon them. This is the part you need to reconcile when you get tattoos- I think of the Norman Rockwell picture of a sailor in a tattoo parlor- you may love whatever it is that's going onto your skin right now, but will you in the future. Are you that committed?

For example, the tattoo you photographed today was one that I got when I fell in love with my girlfriend of the last five years. The lyrics were from the music I was listening to at the time and the image just popped into my head us dying in each other's arms. In one way it means something because of the feelings I had at the time and the place when I got it, but in another way it can't mean anything because it means nothing to those outside of me. My tattoo is my life not yours.

For everyone else it's something intangible without my explanation or without them projecting their own life experience onto it.

Anyway, before I ramble on too long, I attached a picture of the stuff tattooed on my back in case you're interested. It reminds me that death is sneaking up behind me, so it helps me make the most out of the time that I'm alive.

-Nate aka Soulthief

A little more detail:



The inscription on the skeleton's scroll reads "In death I may find peace, but in life your love is all I need."

I've reprinted Nate's entire e-mail because it is an intelligent, well-crafted expression of the idea of tattoos and why people choose to get ink.

Thanks to Nate for sharing his tattoos, as well as his philosophy behind them!

Kali Takes Manhattan

Ronda J. is a painter/musician from New York City who wears this beautiful tattoo on her left bicep.

This is the Hindu goddess Kali, who is often associated with death and destruction, although she more accurately represents change.


This tattoo is a traditional image of Kali, with one significant exception. Whereas she is usually pictured standing upon the deity Shiva, this incarnation has her standing on a city aflame. Ronda J. points out that the burning metropolis is New York City.


It should be noted, she points out, that the flames reach highest behind the two twin towers in the lower right section of the tattoo:

This is of course the World Trade Center, but the piece was completed in 1997, four years before 9/11. This makes the tattoo that much more haunting.

This remarkable work was inked by Elio Espana at Fly-Rite Studio in Brooklyn. Work from Elio and Fly-Rite has appeared on Tattoosday previously here and here.

Ronda J. is a self-described Kali-initiate. Hindu mysticism takes on many forms, and I got the distinct impression that her faith in Kali was multi-layered, and by proxy, her connection to this tattoo and its meaning was exceptionally complex.

Thanks to Ronda J. for sharing her tattoo here at Tattoosday!

Ellen Lives on in Kate's Ink

Last week I saw this tattoo walking down 7th Avenue. I handed a flier to Kate, to whom this tattoo belongs. She e-mailed me later that day to say she liked the blog and expressed a willingness to share her tattoos here. We met the next day to talk about her ink.

Her first and second tattoos were actually inked on the same day last June. First was this piece on her left wrist:


"So," I asked Kate, "who's Ellen?"

"That's my sister Ellen's actual signature," Kate replied, "I got this a couple of days before her funeral."

Hold on a second.

"What?" I was shocked.

And then she told me what happened.

A year ago today (June 16, 2007), Ellen Aquino died tragically in North Carolina, from injuries sustained in a car accident. She was killed by another motorist who fell asleep at the wheel, crossed the center divider, and hit her head-on.

Two days before the funeral, Kate and two other friends went into Physical Graffiti Tattoo Studio in Rochester, New York, and each had the tattoo inked. Kate got it on her left wrist, one of her friends got it on the ankle, and the other got it on her foot.

The piece replicated Ellen's signature, along with a heart, and is a poignant memorial to Kate's sister.

But she did not stop there. At the same time that the signature was inked, Kate had four lines from "First Day of My Life" by Bright Eyes inscribed above her outer right ankle:


I've embedded the video here so one can hear the song:



"It's typically a love song," Kate says, but the lyrics are particularly resonant:

Yours is the first face that I saw
I think I was blind before I met you...

as Ellen's face would have been the first one she saw in this world. Because, Kate explained, Ellen was her identical twin, born ten minutes before her.

If I was stunned when this young woman of twenty-six told me she had just buried her sister last year, I was even more shocked when she told me it was her twin. I can barely imagine the grief of losing a sibling, but an identical twin? It was unfathomable to me.

Yet here was a vibrant young woman, talking to me in Greeley Square, showing me these tattoos based in tragedy, yet I could sense the strength that they gave her.

Her third tattoo was the heart with wings (pictured at the top of the post). It was tattooed at Extreme Graphix Tattoo Ink in Rochester. People always told her that Ellen was her guardian angel, and this piece represents the manifestation of that ongoing relationship.

Kate had shown me three tattoos, but she had told me she had four. I was thinking it might be one that I couldn't photograph, as I didn't see any other visible ink. Then, another Tattoosday first, she unveiled her fourth tattoo:

I was certainly not expecting an inner-lip tattoo. Kate joked, "Yeah, it's pretty hard-core". Wow. "Did it hurt?" I asked. She shook her head, "Not at all". So what's the deal with the word "LIVE" tattooed inside her lower lip?

As if she hadn't made me think enough, she continued to give me chills. "I got this on my last birthday," and I knew immediately why it was significant. Kate and Ellen had celebrated twenty-five consecutive birthdays together. And this one was the first that she would spend without her twin, for the rest of her life. Again, I cannot begin to imagine the emotions she was experiencing on what is supposed to be a happy day.

This was done at Love Hate Tattoo, also in Rochester. "It's a reminder to myself that I'm still here," Kate explained.

Via a series of e-mails I gleaned some additional details.

First, Kate offered up a link to Ellen's online obituary here. I also came across this tribute at a camp for handicapped children where Ellen worked for many summers. Her short life showed an amazing commitment to kids with special needs and a selfless commitment to helping educate others.

I was curious to know what Kate's parents thought of her tattoos and she replied:

My parents like my tattoos, they think they're nice, but would never want any for themselves. The only thing they told me in the beginning, in the midst of their grief was "don't get anything on your face." My grandmother however (she's in her 70's) *loves* my tattoos, and cried the first time she read the one on my ankle. I actually took her to get her own memorial tattoo (her first & probably last tattoo) in October, and she's quite proud of it.

I must say that Kate was amazingly resilient a few days shy of such a tragic anniversary. I cannot even begin to imagine the difficulty she and her family have undergone over the past year.

I thank Kate for sharing her and Ellen's story here. Tattoos are transforming, therapeutic emblems that not only help one heal, but also help one live beyond the healing.

I hope that Kate continues to find strength in her ink, and I look forward to her checking back in with us here at Tattoosday. Our thoughts and prayers go out to her family. Please know that it is and will continue to be an honor to host Kate's tattoos (end Ellen's memory) here.

Repost for Father's Day: Memorial for a Father

It only seems fitting that, on Father's Day, I repost a special tattoo for a father. I had several to choose from (here and here), but settled on this one, from December 4, 2007:

On a cold morning in the beginning of November, I spied a tattoo on the bare left calf of a guy at the corner of 31st and 7th in Manhattan. He crossed the street, walking the same direction I was headed and, lo and behold, headed into the Starbucks in my office building.

He was ahead of me in line and after he ordered, I expressed admiration for his tattoo:


Obviously, it's a memorial tattoo. The host's name is Jim and, as he explained, his father had passed away 3 years ago. I didn't notice until later when I uploaded the picture, the dates 1961-2005, making his father 43 or 44 when he died. The inscription reads "In Loving Memory James R. Frederickson".

Jim explained the tattoo for me. His father wanted to be cremated, so the tattoo is an ersatz grave site. He also added in the cheap, wooden cross, because his father always had been critical of people who spent a ton of money on grave markers.

Jim explained that the piece took him 2 1/2 years to design and get just right, so it must have been completed in the past year. It was inked at Lake Geneva Tattoo.

Thanks to Jim for sharing his tattoo with me!

Matthew's Celestial Neck Tattoo

To be completely honest, it was Matthew's arm tattoo that I noticed first - the black and grey lotus flower with the word "HAUNTED" inked below it.

But, as Fate would have it, Matthew's most meaningful tattoo is the piece on his neck, and there is a compelling story behind it, so that is what we have above.

The tattoo was inked in Florida, at a now-defunct shop called Body Language. It is comprised of two elements, the name "Celestia" designed in Matthew's own handwriting. The other piece is the planet, which looks a lot like Saturn. This part of the tattoo was based on a sticker he had found, and the tattooist gave it a water-color look, which is why it appears slightly drained.

The story behind the tattoo is even more fascinating. Matthew has a belief system, in which he not only thinks aliens exist, but that they live among us.

Matthew is also a huge supporter of the actress Ann Heche. Ann wrote a compelling biography several years back entitled Call Me Crazy: A Memoir, in which she publicly discussed her childhood, and the abuse she suffered.

Heche relates how she survived the trauma of her childhood by developing, or obtaining, depending on one's perspective, a split personality.

Her other self was named "Celestia" and this "alien self" helped her survive the destructive forces in her life.

Matthew admires Heche for her being an example of a woman who "could overcome abuse and live a normal lifestyle".

He, too, has suffered from abuse and trauma in his life, and he relates to Heche's belief system, and feels that he has survived by the grace of that part of him that's from another world.

This is a theme about which he feels very strongly and it manifested itself in this tattoo, which he carries with him and displays in a very visible location. It's not somewhere he can hide it, so he has it a constant reminder of his belief and his reason for survival.

Thanks to Matthew for sharing this very personal tattoo with us here at Tattoosday!

Jenny's Interpretation of Yin and Yang

I was camera-less on Sunday when I breezed through day 2 of the Museum of Comic and Cartoon Art (MoCCA) 2008 Art Festival. The whole time I kept thinking wow, cool, awesome, as I beheld the expectedly fantastic body art on multitudes of comic artists, fans, and publishers.

As fate would have it, two days later I ran into Jenny, who was in attendance at the same event.

I spotted the above piece, and when we started talking, and she mentioned her comic, Too Negative, did I think to ask her if she was at the MoCCA event.

This tattoo was designed by Jenny and inked by Sophie Crumb (daughter of the legendary master of comix R. Crumb and Aline Kominsky-Crumb), when she was apprenticing at Suerte Studios, in Brooklyn. Sophie has moved on and Adam Suerte moved his shop (Brooklyn Tattoo) from State Street to Smith.


The yin and yang symbols, a staple in Chinese philosophy, are popular emblems for countless people, and Jenny's design infuses the recognizable art with her own dark spin.

The circles in the standard yin and yang have been replaced with X's, a nod to one of her main characters in her comic, whose eyebrows are represented with a set of X's, as Jenny elaborated, "like a Manson girl who got over-zealous".

The flames surrounding the symbol refer to the devils that populate her comic. The blood dripping down is a nice touch, as well, definitely heightening the tension between Jenny's vision and the popular interpretation of the yin and yang harmony. Jenny's work is dark and twisted, and her influence on a design often associated with peace and balance, is unsettling and perfectly tailored to her artistic style.

Be sure to check out Jenny's site here. Her work Too Negative appears in the Comix section.

Thanks to Jenny for pausing during lunch on a blisteringly hot day to share her ink here on Tattoosday.

Billy's Reminder to Himself - Life is Half Full

Billy has several tattoos, but he chose this set of eight, each letter spelling out the message.

"It's the endless question," he mused, "of the glass being half-empty or half-full."

"So," I interjected, "you're an optimist?"

On the contrary, he informed me, optimism does not come naturally to him. He "would like to be" more of a "glass half-full" person, but he has had his share of challenges, to say the least.

Billy has been clean for two years, after a long struggle with heroin addiction.

The letters on his fingers come together when he makes fists, and he acknowledged that he often has "to beat it into [his] head to think more positively".

"By ourselves, we are not complete," he said, and explained how this simple interaction, two strangers meeting and discussing a tattoo, it's this kind of event that is what life is all about.

Billy was very positive, talking about a tattoo that grounded him and gave him the strength to live his life in a more fulfilling way.

The fingers were inked at Cliff's Tattoo of Long Island.

Thanks to Billy for sharing his ink and taking the time to talk tattoo!

Nicole's First Tattoo: Free as a Bird

I spotted this traditional sparrow tattoo on Nicole's left shoulder as I was walking down Broadway on Friday.

She got this piece to commemorate turning 21, celebrating her independence as represented in the freedom of a bird in flight.

This was inked by Guy Pranstatter at Body and Soul Tattoo 2 in Jersey City.

Thanks to Nicole for sharing her first tattoo here!

Appe-tattoo for Destruction

Sorry. I couldn't resist.

Spotted this very well-done piece honoring what many consider one of the greatest hard rock albums of all time, Guns N' Roses Appetite for Destruction.


Edward didn't mind stopping in front of Madison Square Garden and sharing his tattoo that was inked three years ago at Omega Tattoos in Queens.

This is Edward's only tattoo. Thanks to him for sharing it with the rest of us here at Tattoosday!

Heeeeeeeeere's Victor's Tattoos!

As awesome as the tattoo above is, it was The Who tattoo that first jumped out at me from the back of Victor's right arm when he passed by me on the sidewalk near Penn Station:

He had a few minutes before he had to catch a train to New Jersey, and was waiting for a friend, so he proudly showed me his gallery of tattoos, on both arms and his right leg. He has 13 in all, and here are 8 of them.

Generally we here at Tattoosday like to focus on one or two, but he had so many cool pieces, and he was totally game for sharing them, I just kept taking photos.

I'm going to divide them by the artist that did the tattooing.

We'll start with the "Soozie tattoo" because it was his first tattoo, drawn by Victor's favorite actress, Angela Bettis, who has quite a following among her fans. She is best known for her role in the film May, and works primarily in independent films.

Victor explains how this tattoo came about:

“I met her at a horror convention, and on an autographed poster she gave me, she drew a ‘Soozie doll’, which is one of the characters in the film. I went home and said this would be great for my first tattoo. So I did it, just as it is drawn on my poster”.

Victor adds that this tattoo "is one of my favorites because it looks like it was drawn on with a sharpie (it was supposed to)". And, like most of the tattooed can relate, once he got this inked, he became “addicted”.

This was inked by Kurt Fagerland at Empire State Studio, in Oceanside, New York.

Fagerland also inked this black heart:

This piece, done in tribute to Joan Jett and the Black Hearts, is on his left forearm, below the Soozie piece.

Victor didn't mention this, but I would interject that the Joan Jett tattoo could also symbolize that one wears one's heart on their sleeve.

Another piece from Empire State is a tip of the hat to the film Donnie Darko, on his inner left forearm:

Finally, the last tattoo inked by Fagerland is a portrait of Pee Wee Herman, the character portrayed by actor Paul Reubens. This piece is on Victor's right leg (calf):

One may have noticed, near the "Soozie" tattoo, there are some other lines drawn below and to the right of it. If it looks like an autograph, it is.

Nikki Sixx, the bass-player for Mötley Crüe, signed his arm. He then had the signature permanently inked by Chantal at Sparrow Tattoo in Franklin Square, New York.

Believe it or not, this is the second Nikki Sixx tattoo I have seen since the dawn of Tattoosday. The other is on the back of a woman who lives in Bay Ridge, Brooklyn. I saw her on the R train one afternoon last Fall, but didn’t have my camera with me at the time.

Why did he tattoo the autograph? Again, he elaborates:

“I have been a Motley Crue fan for a while, but I always loved Nikki. He's dreamy. I went to his book-signing for The Heroin Diaries, and got him to sign my arm, because the asshole security guards would not let me get anything else signed. So I said ‘Fuck it, I want to engrave Nikki Sixx in my arm forever’ ”.

The three remaining tattoos were all inked by Vinny Romanelli at the House of Colour, in Bay Shore, New York.

He did the Mod symbol, appropriated by The Who, as seen above on the back of Victor's right bicep, above, and the New York Dolls pin-up on the inside of his right bicep.

Most impressive is the awesome Nicholson portrait, commemorating the famous “Heeeeere’s Johnny!” scene from the Stanley Kubrick film, The Shining. It’s worth a second look:

One might question why someone would get these various tattoos like Victor has chosen to do. People get tattoos for various reasons: as memorials, as decoration, and as commemorative pieces. Victor explained poignantly why he has chosen to decorate his body with such a variety of images from popular culture:

“The reason I get tattoos is because I pay tribute to the things that inspire me. Mostly movies & music, and certain people. I am a filmmaker myself, and one day hope to have a scene from one of my movies tattooed on some weirdo’s body.”

Well-put, Victor, and thanks for sharing the sources of your inspiration here on Tattoosday!

Maria's Family Tree, Flowering

The second tattoo from the 5th Avenue Festival on June 1 belongs to Maria.

Maria's tattoo on her right bicep, was one of the nicest pieces I saw all day, and I saw quite a few. The simple elegance of the artwork was striking, and a perfect example of a "less is more" outlook toward tattoos.

The concept is simple: a tree, abstractly drawn with flower blossoms. Each flower represents the birth month of a family member.


The top two blossoms are for her parents, born in May (Lily-of-the-Valley) and September (Aster).

The next two represent Maria (December - Narcissus) and her husband (November -
Chrysanthemum).

The next two are for her son (April - Daisy) and daughter (January - Carnation), and the one on
the bottom, "because we couldn't leave him out," is for Lucky, the family dog (October - Cosmos).

This stunning piece was tattooed by Rob at Brooklyn Ink. Work from Brooklyn Ink has appeared on Tattoosday previously here.

Thanks to Maria for sharing her tattoo with Tattoosday!

Krystynna Shares Her First Tattoo

Krystynna walked by me on 7th Avenue on Monday, and her tattoos on her wrists, behind her right ear, and her left bicep were totally cool.

When I realized a sidewalk photo of her quarter-sleeve wouldn't do it justice, which she confirmed when she later told me it ran up onto her shoulder, I asked if she would rather have me take a picture of a different tattoo.

Kristynna surprised me by offering up her first tattoo, a large lower back piece. Remember, folks, I never take a lower back tattoo unless its offered, according to the Tattoosday Code of Conduct.

Kristynna got the initial piece on the lower back, some flash art on the wall at Armageddon Tattoo when she was 17, ten years ago. She subsequently added little bits and pieces to make it into a larger piece over the years.

She has 9 tattoos in all, all done by Iann at Armageddon. Kristynna works as a Special Needs Educator for kids and acknowledges that the children love her tattoos, and the parents have no issues with them, either. This is good news, because the tattoos she has visible are extremely well-done, and I am looking forward to her sending me shots of the arm that do the piece
justice.

Thanks to Kristynna for sharing her ink with us here on Tattoosday!

Pursuit Until Capture

An unplanned trip to the Penn Station K-Mart yielded this awesome tattoo.

Sometimes, even if you can't initially see the whole piece, you can recognize high quality work. This was one of those times.

Chris, who works in independent film, more specifically the horror genre, wanted to pay homage to the film, John Carpenter's Halloween, that inspired him to follow the career path he chose.


The phrase "Pursuit Until Capture" was not from the film, but is a motto that guides him through life. Although applicable to the horror genre (that seems to drive every villain - the relentless pursuit of the victim), it holds a larger meaning for a life philosophy. Translation: follow one's dreams until they are attained. Chris recalls first seeing the "Pursuit Until Capture" phrase in old Sailor Jerry flash art.

This amazing piece was inked by Darren Rosa at Rising Dragon Tattoos in Chelsea. It really is superb work - click the photo to enlarge, and one can almost feel the texture of the pumpkin, the sharpness of the blade. Tattoos from Rising Dragon have previously appeared here.

Darren also inked Chris' first tattoo, a back piece, in January 2006:


Chris always imagined a tattoo with blue wings, and the phrase "Live Life Stronger then Death" exemplifies the ongoing struggle for good over evil.

Certainly words to live by.

Thanks to Chris for sharing his awesome tattoos with us here at Tattoosday!

Nancy's Dragon at the Fifth Avenue Festival

Last Fall's 3rd Avenue Festival in Bay Ridge was a watershed moment for Tattoosday. I came out of the block like gangbusters, tallying up a half-dozen tattoos, enough to carry me through into the cooler days of October.

With the Fifth Avenue Festival on Sunday, June 1, and nine months of tattoo-spotting under my belt, not to mention a sunny day in the 80s, I anticipated even greater success.

Instead, I found myself being more selective. I ran into Tani from this post and stopped by Groove Tattoo and introduced myself to Marc Redbeard (who inked these pieces).

By the end of the day, I only took pictures of two tatoos, and I was okay with that. I focused on quality, not quantity.

The first person I spoke to, Nancy, let me photograph her left leg, above.

This tattoo is about ten years old and was inked by the great late Huggy-Bear Ferris in his shop in Park Slope.

Nancy said that this was not flash, but a custom piece. She went into Huggy-Bear's shop, told him what she wanted, and he drew it up.

This piece is one of five of Nancy's tattoos.

Thanks to Nancy for sharing her ink! , and thanks to the memory of Huggy-Bear Ferris, who meant so much to the New York tattoo community.

UPDATE August 28, 2009. I have been informed that Mr. Ferris is still with us, despite several people telling me he had passed. I apologize to Mr. Ferris and wish him a long, happy life!

The Return of Danielle's Ink

I first ran into Danielle here, back in the Fall of '07.

Her upper arm tattoo jumped out at me then, as it isn't often you see Hawaiian words in Broolyn, and it jumped out the other day, when I had just come off the subway.

Last time I saw her, she had a burn on her right forearm, close to her other tattoo. So I took a rain check and cashed it 7 months later.

What looks initially like a few squiggles is actually a more complex piece she designed herself.

Danielle is the feminine form of the name Daniel. She appreciates the meaning of her name, in Hebrew, which is "God is my Judge." She elaborated on her name by transforming it in a stylized fusing of the Hebrew and Aramaic script. One familiar with either language can see, deep down, the daled, nun, yud, lamed.

Very cool design.

This piece, like the Hawaiian inscription, was inked at Funcity Tattoo in the East Village. The artist was Joe.

Thanks again to Danielle for sharing her ink here on Tattoosday!

Erin's Tattoos for Loss and Healing

Back in Tattoosday's infancy, when it was a weekly feature over at BillyBlog, I neglected to ask someone about their tattoo, and it had continued to nag at me, months later.

I had just come back from taking pictures of James's tattoos (here) and stopped in Rite-Aid for something. Ahead of me in line, a woman had an incredible black and grey piece that was complex and, I was sure, had great meaning.

But I had yet to successfully get pictures from someone that I didn't know previously, although I did manage to break the barrier and compliment her on the work, which to me was a small
victory in itself.

So, last Saturday, I was walking down my block when two women passed me and there it was, there she was, and this time, after 9 months of talking ink with complete strangers, I had no problem asking what this was all about.

Erin even vaguely remembered my compliment in Rite-Aid from the summer before. Her right biceps actually is comprised of three pieces, all of them inked by Todd at Hardwire Tattoo in Wilmington, North Carolina.

Her first element is the phrase "Until we meet again".
Erin's father passed away when she was very young, and the quote is a phrase that resonated with her in an obituary written for her father by one of his close friends.

Words can be healing, across the years, and the phrase is a powerful reminder of her father's memory.

The piece was enhanced by the tree and, an element that I didn't notice when I first saw the tattoo months ago, the dandelion, which is on the inner part of the arm.


Erin loved the tree design and had it placed in a way that the "until we meet again" phrase runs in the foreground, creating the impression that they were part of the same design.

The dandelion is a flower that is often associated with childhood. What kid hasn't made a wish and blown on a recently-plucked dandelion to watch the seeds scattered by the breeze? The dandelion on the inner arm wraps around and the seeds blowing away actually drift into the other element of the tattoo, making the two pieces become one.

The part that, I believe, binds the whole tattoo together is the piece above the tree:

This is a depiction of a heart that has been ripped in two. However, it has been mended, held together by thread that binds it. Note the needle still sticking out of it in the upper left corner of the heart.

The image is inspired by the fact that Erin's mother was a seamstress by trade, and despite the tragedy of her husband's (Erin's father) death, she kept the family together. It's a nice tribute and a fitting homage to the woman who held the family together, in the face of great loss.

Many thanks to Erin for sharing her amazing tattoos with us here on Tattoosday!

Jennifer's Butterfly, 2 Weeks out of the Cocoon

Standing in line waiting to buy a Lotto ticket, I noticed a bright fragment of ink peeking out from the top of Jennifer's shirt.

I struck up a conversation with her and she unveiled the whole piece, a bright butterfly that, as they say, "popped" off the skin.



She told me she just liked the coloring of the piece, and she and her husband were both getting tattoos by Michael Angelo (featured previously here).

The butterfly was inked only about two weeks ago. This explains why it is still so vivid, and also accounts for a little of the residual peeling that is evident on the piece.

She talked about how incredible the artist is, how he doesn't take appointments, that he is first-come, first-serve, and that his clients line up hours before he opens to get a spot later in the day.

Jennifer said her husband got a portrait of their son done by him, and that they are very happy with the work. Hopefully, we will feature more ink from Jennifer and her husband in the future.

Thanks to Jennifer for sharing her new butterfly with Tattoosday!

Fertility Goddess on the N Train

I met Patricia on the N train to Brooklyn. Generally, I am less inclined to ask people on the train about their ink, but Patricia's tattoo was so interesting, I couldn't resist.

She seemed very interested in Tattoosday as she explained that she got this piece in Puerto Rico. Based on the brief snippets of our conversation (she rushed off the train at the next stop), this is a likeness of a fertility goddess in Taíno culture. Note the similarity to this petroglyph:

According to this website, this petroglyph represents "the chief female diety Atttabeira, the fertility goddess. Her image is carved on a large stone in the main ball court of Caguana, Puerto Rico."

Thanks to Patricia for sharing her ink on the train!

Editor's note: Patricia, feel free to e-mail me a clearer picture of your tattoo, when you can. Thanks again!