Hello, Dalí! Bryan's Surrealist Sleeve

Last summer, I met Bryan on the Rector Street subway platform. He was kind enough to share a full sleeve of tattoos inspired by the work of Salvador Dalí:

This section is inspired by The Burning Giraffe (1937):

Then, there's this skull:

This was based on a poster Dalí designed for an anti-venereal disease campaign during World War II, dubbed Vagina Dentata:

Of course, everyone is familiar with this Dalí image, from his famous painting The Persistence of Memory:

The bleeding roses in this tattoo

are inspired by this painting:

And then there is this last skull image:

This piece is based on Dalí's The Face of War:

Bryan credited all of the tattoo work to Chris Mason (@chrismasontattoo) at Live Wire Arts (@livewirearts) in West Islip, New York.

Thanks to Bryan for sharing all of this amazing work with us here on Tattoosday!

This entry is ©2019 Tattoosday.

If you are seeing this on another website other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Ashley's Incredible Eye Tattoo

This past fall, I met Ashley near Wall Street in lower Manhattan. Not everyone I meet lets me photograph their work on the spot. Some folks, like Ashley, send me pictures after they've checked out the site.

This is the amazing tattoo Ashley shared with me:

She wanted to share this piece because she thinks the artist "deserves a tremendous amount of credit."

Indeed he does!

This is the handiwork of Christian Lucca (@christian_lucca), who inked this at Starlight Tattoo (@starlighttattoo17) in Rochelle Park, New Jersey. He's now at Silk City Tattoo (@silkcitytattoo) in Hawthorne, New Jersey.

Ashley tells us her tattoo

"... is an eye with a customized clock in the center.

I have always loved Christian’s work as an artist and he’s great at customizing a grungy feel. I wanted an eye to be the start of my sleeve because I wanted something in the center to really pop. Eyes are the window to the soul which I’ve always believed to be true. I wanted the arms on the clock to be off the roman numerals because as they say, time isn’t real. It’s supposed to have more of a reflection affect."

Thanks to Ashley for sharing her amazing tattoo with us here on Tattoosday!

This entry is ©2018 Tattoosday.

If you are seeing this on another website other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Sean's Stunning Sleeve

Earlier this month, I met Sean outside of a store on Broadway in lower Manhattan.

I generally don't like to post full sleeves on Tattoosday because it is, in my opinion, really hard to do them proper justice.

Once in a while, however, the work is exceptional, and I can't help but try and capture some segments of the sleeve.

I mean, look how great this is:

Sean explained that segments of the sleeve are in memory of a neighbor who was a mother figure for him when growing up. She succumbed to complications from lupus, and the clock and roman numerals link to the date of her death.

We didn't have time to discuss all the elements of this sleeve, but he did credit the work to Tazz (@Tazz_Tatts) who works out of Aztec Ink (@aztecinkbrooklyn) in Sunset Park, Brooklyn. We've featured work by Tazz at least once before, like this piece which appeared in 2011.

Thanks to Sean for sharing his cool sleeve with us here on Tattoosday!

This entry is ©2016 Tattoosday.

If you are seeing this on another website other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Collin's Gypsy Snake and Time

I met Collin back in August in the middle of Broadway, between 35th and 35th Streets, sitting at one of those tables that New York City had installed in the middle of the street.

He had a lot of ink, and chose to share this section of his upper left arm:

This piece, a snake with a gypsy head, circling an alarm clock, was done by Grez at Kings Avenue Tattoo in Manhattan on the Bowery. We promoted the shop opening back in May here.

Collin explained the elements of this piece that curves around the arm:

"The clock represents when I was born ... the candle's my life, burning, it's the time I have left ... gypsies are usually known to be good luck ...  the snake is for the fucked up parts of my life and the gypsy head is for the good parts of my life, you know, the future."

Collin explained that Grez initially was concerned about all of these elements combined into one piece. "At first he [Grez] thought it was going to be too much," Collin told me, "but it worked out and I'm happy with it."

The clock is particularly remarkable:

Grez's work has appeared on Tattoosday before, here and here. He's a great talent, and I'm always happy to stumble upon his work.

Thanks to Colin for sharing this great tattoo with us here on Tattoosday!

This entry is ©2011 Tattoosday.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Eric's Tattoo: Zero the Fool and an Obsession with Time

I met Eric on Seventh Avenue between 23rd and 24th Streets earlier this month.

This tarot card on his left forearm jumped out at me:

Eric is a mixed media artist whose website can be seen here. He is an illustrator and is currently in school studying toy design. The tattoo he has is primarily based on a linoleum block he had created that recalls the Tarot card "The Fool". Because it is an unnumbered card in the deck, it is often referred to as "Zero" or 0.

The Fool often represents the beginning of a journey, oftentimes a "foolish adventure". He had this tattooed to commemorate his decision to move from Boston to New York City. While the decision may not have been foolish, it did mark a new journey in Eric's life.

The card was tattooed by Hannah at Regeneration Tattoo in Boston.

One may have noticed that there is work around the tarot card, as well, so it's only fair to show the piece as a whole:

And the tattoo extends up the arm a bit from the pocket watch on the right:

The additional elements in the tattoo speak to Eric's obsession with the passage of the time. Snowflakes are only temporary as they fall from the sky and melt, or become mixed with other flakes and lose their singularity.

The flowers are imagined creations representing growth. Eric's floral images are inspired by the artwork of Henry Darger.

He also notes that the time piece is cracked and broken:

This, he says, represents the fight against the obsession and paranoia over the passage of time.

The work around the tarot card was all tattooed by Kelly Krantz at the now-defunct Hold Fast Tattoo in Williamsburg, Brooklyn. From what I can tell, Krantz is not currently affiliated with any one tattoo shop.

Thanks to Eric for sharing his thought-provoking tattoo with us here on Tattoosday!

Two More Tattoos from Josh

Well, more than six months have passed since I posted Josh's amazing Verrazano Bridge tattoo, and I almost forgot he sent me some additional shots, including the clock from the old Penn Station on his inner bicep, which is interconnected with the bridge piece:


This is a fairly accurate homage to this bygone historical monument seen at the top of the photo below:


Josh, being in the military, also has this back piece:


This tattoo consists of a pair of variations on the caduceus, surrounding the insignias of the 44th and 30th Medical Brigades - the two units he was assigned to in Iraq.















Thanks again to Josh for sending along these pictures and if you haven't seen the Verrazano tattoo linked at the top of the post, you must go check it out.

Grover's Tattoos Recollect the Past, But Focus on the Future

I ran into Grover a month or two ago where he worked in Penn Station and admired the work on his sleeve. As I try my best to not disrupt folks on the job, I passed him a Tattoosday card and was happy to see when he e-mailed me a few days later.

Our schedules are different, and we tabled any definitive date to meet and discuss his ink. But one day, by chance, I passed the business where he worked and he was outside on a break.

And he offered me his arm:


We discussed the inner part of his right forearm first. This cross is a tribute to his parents, who were both injured in a serious accident about five years ago. He had this tattooed after it appeared that they would recover, and it symbolizes his faith in the blessing of their survival. The tattoo reads "Mom. Dad. God Bless."

On the top part of the outer right forearm is an starred banner design and the words "Death Before Dishonor" to remind him that he has kept his head up while working hard for his daughter.

He has chosen the honest life, rather than slip into the easy trap of making a living dishonorably.

Grover's daughter's name is London, which he has inscribed on his flesh, over a tattoo of Big Ben, the emblematic clock tower than stands proudly in the city which lends its name to his daughter. Big Ben is frozen in time at 4:10, the date (April 10) that London was born.


Below that is a skull crying blood.


The blood is the only part of Grover's tattoos that are not done in black ink. This image reflects the harsh reality of the world and the raw emotion that life often pulls out of one's soul, in the form of bloody tears.

And lastly is my favorite part of the tattoo, which rests on Grover's hand.


He grew up in Harlem and the buildings represent the view south, looking to the skyline of the city. The dollar sign and, to the right, the leaves of marijuana plants, represent to Grover what it was like "back in the day," when the drive for money in the big city, and the prevalence of marijuana in the neighborhood, left a profound impact on his days growing up.

Grover credits much of the work seen here to an artist named Marco, who works out of Crazy Fantasy Tattoo on West 4th Street in Manhattan.

I want to thank Grover for sharing his set of tattoos with us here on Tattoosday!

The Tattooed Poets Project: Kat Zemmel's Twisted Clock

Kat Zemmel is a poet and Master's candidate at the University of Tennessee.

Her amazing "twisted clock tattoo" is on the right side of her torso.

Kat explains the story behind this time piece:

"The design is the work of the tattoo artist--I came in one day, and said that I'd recently been enamored with antique clocks, antique watches. I love old mechanical things, the care with which they are put together is something that is hidden in the everyday present American culture. We buy computers, coffee makers, cars, and watches expecting them to work, and for the workings to be concealed. I think that there is something vulnerable and exposed about antique watches--their need to be daily wound, the care one puts into having such an object.

Sheri Matlack is the tattoo artist who drew the design--at the time she was working at Lone Wolf Body Art in Nashville, but since has opened her own tattoo shop: Electric Athena Tattoos (also in Nashville). We had discussed the placement of the tattoo--I wanted it on the ribs, and she thought to twist the watch/clock to fit the contour of my body. The number 8, featured prominently in the lower square, is a favorite number, a good number for me. The design, overall--the shape of the twisted watch-face, the way that the watch itself is segmented, everything--was Sheri's work. I only directed the theme, and she executed it, perfectly. I think that when I first saw the design, I was hesitant and unsure--it was too strange to my eyes; since I've had it done, I've loved Sheri's work, and have come back to her faithfully, for almost every tattoo. I still think it's the best damn black and grey work I've ever seen.

The tattoo was done over two 2.5 hour sessions in December of 2006.

Kat sends along some additional biographical information, including how the art of tattoo influences some of the classes she teaches as a graduate student:

"...As in many programs, graduate students are assigned to teach some sections of first-year composition; second-semester composition courses, while still courses in writing, can be centered around a theme chosen by the instructor. Thus, I am presently teaching a course called "Inquiry into Body Modification." I had some doubts about being able to sustain students' interest in the subject matter, but have had little trouble so far. With this course, I wanted to make students aware that body modification is something people do every day, that it also includes the likes of plastic surgery, body building, dieting, as well as piercing and tattooing. I hope to teach my students to look at every body critically, to read the argument a body makes, to be able to understand a body's stance within culture. Presently, they are working on a paper assignment (Historical Inquiry unit) that asks them to trace the changes in a body modification practice over time, or to study a body modification practice that has been transplanted from another culture... In either case, I ask them to make an argument about the nature of the appropriation or change--for example: how is Chinese foot-binding similar to the Western practice of wearing high-heeled shoes? or: how do Western tattoos differ in meaning from their earlier ancestors? These, and many other questions, are important, I think, to consider--especially in a culture that takes body modification for granted.

I am presently teaching a composition course at UT, but it's a little different because the second semester freshman comp (102) is a theme-based course. The theme of the course that I'm teaching is Inquiry into Body Modification, so my students and I talk a lot about tattoos, and the way they are viewed--the way that tattoos change the surface of the skin into a thing to be viewed differently. It almost gives people permission to look at a body, to enact a weird kind of voyeurism.

Kat is also part of Shelley Jackson's Skin project:

I am a word in her story, and that has also has changed my perspective of tattoos. Having a tattoo means that I am a part of a community, but one in which the members don't necessarily know each other...

I want to thank Kat for sharing her incredible tattoo with us here on Tattoosday, and telling us a little about the courses she's involved with at the University of Tennessee.

Be sure to check out one of Kat's poems over on BillyBlog.