Barred For Life: An Encounter and A Tattoosday Book Review

As a Gen-X child, the Black Flag bars are familiar to me. I’ll be honest, I was never a huge fan, but I had friends that were, coming of age in the 1980’s.

I remember first seeing Black Flag on film in the groundbreaking The Decline of Western Civilization, screened at the University of Hawaii Physical Science Auditorium, whose film series had a cult following  among teens in Honolulu in the early 80’s. It was there that I saw Rocky Horror (many times), Ralph Bakshi’s Wizards, Russ Meyer's Up!, The Song Remains the Same, and the Black Sabbath/Blue Oyster Cult concert film, Black and Blue.

And, Decline.

The film didn’t shake my core like it did many of my friends, but my middle-aged memory cites it as my first encounter with Black Flag. Their emblematic bars found their way onto my notebooks, sharing the doodling of metal band names and logos. The bars remind me of adolescence and rebellion.

Other people’s rebellion, not mine, mind you.

I won’t claim to be someone I’m not, or someone I wasn’t.

I don’t have any Black Flag tattoos on me, and I never will.

This past summer, on my way to a job interview, I was in lower Manhattan in a suit on a sweltering day when I met Harley, a woman with a lot of ink. I had a few minutes before my interview and asked her about her work. She showed me her back:

Running into Harley and having her share this tattoo seemed fortuitous, as I had just received a copy of Barred for Life in the mail. Subtitled “How Black Flag’s Signature Logo Became Punk Rock’s Secret Handshake,” this book was on my list of titles to review, and there had just been several events in New York celebrating its release.

I envisioned a big post, combining Harley’s tattoo and the review. This is that post (obviously), but just fashionably late to the party.

A word first about Harley’s tattoo, which she credited to Troy Denning at Invisible NYC. Harley told me, when I asked her why she got the "Rise Above" tattoo, simply, “to rise above.” She added later, “And to … let nothing keep you down...”

As for Barred for Life, I can’t think of a more compelling gift for someone who is either a 1) punk/hardcore fan; or 2) a fan of simple tattoos that mean a whole lot. So, if you know someone looking to use a bookstore gift card this holiday season, tell them to special order this book.

Let’s face it, the Bars are fairly rudimentary – four rectangular blocks offset in equidistant parallel orientation. Barred for Life unveils a wide array of variations on the tattoo, which anchors album art and other punk sentiment. The really compelling aspect of each tattoo is that of the interview that accompanies it.

We get an inside view into the minds of people who have been “barred for life,” including the fan’s relationship with the band, the story behind the tattoo (right up our alley!), and the favorite singer/song/album trifecta. We’re also treated to interviews with current and former band members, with Henry Rollins noticeably absent.

The scope of this volume is magnificent. The number of people who are “barred for life” is staggering, just based on this sampling alone. Think of the thousands of others who have been similarly branded – where a tattoo of a band logo goes above and beyond one’s appreciation of the group itself.

That said, this is more than just a tattoo book – it’s a chronicle of a mindset, a visual exploration of a family that united around a symbol that inserted itself as a logo of a punk band, and evolved into a cultural icon.

Thanks to Harley for sharing her Black Flag tattoo with us here on Tattoosday, and to Stewart Dean Ebersole for putting together such a great chronicle of bars tattoos.

More info on the book here.

This entry is ©2013 Tattoosday.

If you are seeing this on another website other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Matt's Black Flag Tribute

I met Matt on the 59th Street subway platform in Brooklyn back in October 2011 and he shared one of his tattoos with me.

Before I proceed though, I should point out that this is my last photo from 2011. I was holding out to make this an elaborate post, combined with a book review, but it just never evolved that way.

And, as Tattoosday recently reached its five year milestone (more on that later), we're going to try things a little differently around here. Of course, that has nothing to do with this tattoo:

This tattoo is based on the album cover for Black Flag's My War.

Note the slight artistic differences:

Matt credited this work to Oscar Varela, a visiting artist at New York Hardcore Tattoo in Manhattan.

When I asked Matt why he chose to pay tribute to this album with a tattoo, he explained, "That's been one of my favorite hardcore albums of all time ... I grew up in Anaheim, California, so, you know, the So Cal scene and everything like that ... gotta keep it real."

I had originally wanted to tie this piece in with a review of Henry Rollins' book Occupants.

With Rollins the lead singer of Black Flag, it seemed like a cool tie-in.

The problem is, I really couldn't wrap my head around a book review for the site, but I can give it a rousing endorsement. The volume consists of Rollins' photos as he has traveled the world, and essays he has written to accompany the images. The words are profound and the linked photos are stark and moving. I strongly suggest that people check out the book.

Thanks to Matt for sharing his Black Flag tattoo with us here on Tattoosday, and for waiting patiently these past months for me to post it!

This entry is ©2012 Tattoosday.

If you are reading this on another website other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Dispatch from the 2011 New York City Tattoo Convention (A Recap)

 

Yesterday I spent a half dozen hours at the Roseland Ballroom, where the New York City Tattoo Convention was holding court. This was my third trip to the show, and each year, I have a different experience, as Tattoosday has evolved as a site (read about 2009 here and 2010 here).

In years past, I have only highlighted one or two pieces, as I go into sensory overload. What, outside of a convention's setting, would normally pique my interest, seems commonplace and ordinary. This year, however, I took many more photos, and actually interviewed four people, so this will be Convention Recap Week.

I do want to say the best part of the show was hanging and chatting with Marisa and Brian from Needles and Sins, as well as with Nathan from Knuckle Tattoos. It's not a portrait of future world domination, yet, but here's the three of us, masterminds of three of the best tattoo sites around, and hands and above, the best three inkbloggers at the show:

Nathan, Marisa and Me (photo by Brian Grosz)

That moment of self-adulation aside, I spent the first few hours talking to vendors about advertising, chatting with colleagues, and saying hello to people I've met in years past, like Greg who was the high point of last year's show for me.

I also like to introduce myself to artists whose work has appeared on the Site before, so I said hi to Adam Rosenthal of Th'Ink Tank in Denver, and Vinny Romanelli at Red Rocket in NYC.

I also took a slew of photos of people I didn't interview, so I will just throw them up here. Unfortunately I can't credit any of the amazing artists responsible. However, if you see your work here, shoot me an email and I can give you your proper due. Many of these shots were taken during the first round of the contest, which centered around black and gray work:

This one was one of my favorites, especially considering the woman's reflection in the blade of the knife:

And this Star Wars leg was totally cool:

Finally, through social media, my friend Ben in Hawai'i requested a shot of "80s West Coast punk rock logos." I thought I had failed in my quest until, as I was leaving, I captured this tiny Black Flag tattoo on a guy named Crash, who works for Tattoo Artist Magazine:

Mini-Black Flag Bars Tattoo by Oliver Peck

and this incredible Misfits piece to boot:

Tattoo by Frank Lee at Tattoo Blues in Ft. Lauderdale

Yes, we know, Misfits are an East Coast band. But it was too nice a tattoo to not photograph. Can you blame me?

Check out the Tattoo Artist Magazine blog here.

Check back throughout the week to see what four tattoos I found most blogworthy for us here on Tattoosday!

This entry is ©2011 Tattoosday.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Welcome to His Nightmare

I was walking up Seventh Avenue, headed back to work, and contemplating the left ankle of a young woman. She had a tattoo of the Black Flag logo (just the bars):

but she was traveling with two friends. I have a harder time approaching people in pairs or groups, for some reason, perhaps because I fear not the rejection of one person but of two or more. Imagine: I approach a person and ask them about their tattoo. Their friend shoots them a "Who is this dork?" look and the tattooed is less likely to be forthcoming about their art. I also don't like to intrude on conversations and/or stop people who are moving. It's a courtesy thing, I guess. Although, if someone is sporting an incredible tattoo, I may suspend these "rules" for a shot of an amazing piece of body art.

So there I was, walking uptown, thinking it will likely not be the day for the Black Flag ankle tattoo, when I spotted a guy leaning up under a scaffolding. He had ear buds in and was reading, but his tattoo was interesting enough that it was worth disregarding those two deterrents.

This is the piece that was on his upper right arm:


Now, wouldn't you say that's fairly unusual? I just had to get to the bottom of this one. Before you continue, click the photo to see it in greater detail. It blurs a little, but you get a better idea of the full piece.

This tattoo resides on a guy named Losie, a resident of New Jersey. I introduced myself and he was very receptive, removing his ear buds and speaking very openly about his tattoo. This was his second tattoo (more on #1 later). It originated from his finding the art of Greg Simkins online at his website IMSCARED.com. The tattoo was then inked by Damion Ross at New York Adorned in the East Village.

So why did he choose this artwork for himself? "It reminded me of having nightmares when I was a kid," Losie related, "The kid is me."
Greg Simkins seems like a perfect match, then, for Losie's nightmare motif. If you look at his site, you can peruse dozens of his paintings, sketches, and drawings and they all resonate with a sense of the macabre, depicting spectacular, colorful visions of an imaginary world in which rabbits are terrifying and inanimate objects come to life.

Losie definitely has a fascination along the same lines, and indicated that he would eventually like to have an entire sleeve dedicated to the horror genre.

The kid in the tattoo is having a nightmare, he is on his bed. The headboard appears as rows of teeth, things are crawling in through the window and from under the bed. Even his pillow is terrifying:


I asked him about the tattoo on his other arm, he indicated it was done at a shop in Burbank, California, where he had lived for a couple of years.

The tattoo is the logo for the band Coheed and Cambria.


Interesting, I was following a Black Flag tattoo and found a Coheed & Cambria one instead. Losie explained the bats around the logo as a reference to an ex-girlfriend. He elaborated, "Her name was Jamie, so I added five bats, because Jamie has five letters in her name."

He then directed me back to the first tattoo:


"See the purple skull coming out from under the bed?"


"That's for my ex-girlfriend Violet."

Do note, all quotes are approximate and may not be 100% accurate. I took notes but did not write down exact statements. The messages, however, are accurate.

Losie did allude to a third tattoo, on his stomach, but we didn't discuss the exact location, or what the piece consisted of.

Thanks again to Losie for his participation!