Monday, April 30, 2012

The Tattooed Poets Project: Puma Perl

Our final installment of the fourth annual Tattooed Poets Project is from a repeat contributor, Puma Perl. Puma graced us last year with this contribution.

 Puma wanted to share her newest tattoo with us, and I couldn't possibly turn her down after I saw it:


Puma explains:
"This tattoo was just finished ... on Saturday 2/18/12. It is a companion piece to the mermaid with the Wonder Wheel on my back, which I sent you last year. I guess the Coney Island Theme will continue as Coney Island is torn down, or 'redeveloped.' Both pieces were done by Emma Griffiths, who now works out of Tattoo Culture."
As I live in south Brooklyn, near Coney Island in Bay Ridge, I can't help but be partial to Coney Island-themed tattoos.

Puma sent us a Coney Island-themed poem, to boot:

CONEY ISLAND FEBRUARY
 
He leaves,
the sounds
of a concrete
boardwalk
trailing behind him
 
and I dream
of bass players
and Coney Island,
broken benches
and Coney Island
 
and I dream
of warm peaches
and Coney Island
burlesque babes
and Coney Island
 
I dream
I dream of
Coney Island
 
and I wake,
hands filled
with pussy,
 
unsatisfying,
but I go on
because
progress
must continue.


~ ~ ~

Puma Perl is a NYC-based writer, performance artist, and curator. Her poetry and fiction have been published in over 100 print and online journals and anthologies. 




She is the author of the award-winning chapbook, Belinda and Her Friends, and a full length collection, knuckle tattoos. 


She lives and writes on the Lower East Side and has facilitated writing workshops in community based agencies and at Riker’s Island, a NYC prison. She is a founding member of DDAY Productions, which presents poetry and performance events. Link to her blog for info about book purchases and events: http://pumaperl.blogspot.com/.

Thanks to Puma Perl for her contribution and for rounding out this year's Tattooed Poets Project!

This entry is ©2012 Tattoosday. The poem and tattoo are reprinted with the poet's permission.

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